Note: Descriptions are shown in the official language in which they were submitted.
CA 02237075 2000-06-14
-1~
SYSTEM FOR GENERATING MULTIPLE ASPECT
RATIO VIDEO SIGNALS FROM MOTION PICTURE DISK
RECORDED IN SINGLE ASPECT RATIO
This invention relates to the generation of a video signal in one of multiple
aspect ratios from play of a software carrier on which is recorded an image
program in only one aspect ratio.
Background Of The Invention
The most widespread medium for distributing motion pictures is the
videocassette. The conventional practice is to provide only one language
soundtrack on each videocassette. This means that different versions of the
same motion picture must be prepared for distribution in different coun-
tries. Rather than to dedicate a different version of the same motion
picture to each of several different languages, it would be far more advan-
tageous to provide all desired sound tracks, containing different dialog
languages, on the same carrier; this would require the production of far
fewer versions of the same motion picture. Because of the large storage
requirements, however, this has not proven to be practical. In fact, the only
practical consumer use of multiple sound tracks on the same carrier is the
provision of annotated and non-annotated soundtracks in some laserdisc
releases. {It is possible, for example, to store different soundtracks in the
digital and analog audio channels of a laserdisc.)
Despite the fact that it has occurred to others in the prior art to
provide multiple soundtracks on the same software carrier, certainly the
provision of perhaps a dozen different soundtracks, in different dialog
languages, all on the same consumer software carrier, is not to be found
anywhere. Not only are there no consumer players capable of selecting one
from among so many different soundtracks, but software publishers have
just not found it practical to store so much audio information on a single
CA 02237075 2000-10-18
.7.
carrier. The traditional approach is to publish different versions of the
same motion picture for distribution in different territories where different
languages are spoken.
Digitally encoded optical disks are in theory far superior for the
distribution of motion pictures and other forms of presentation. Especially
advantageous is the use of "compressed video," by which it is possible to
digitally encode a motion picture on a disk no larger than the present-day
audio CD. While much effort has been expended in developing compressed
video systems, less work has been devoted to the provision of multiple
soundtracks on the same software carrier. The conventional thinking is to
pack as much video as possible on any given disk, but still to provide a
different soundtrack version carrier for each required dialog language.
It is therefore an object of this invention to provide a player for playing a
software carrier containing thereon digital data representative of picture
information.
Summary of the Invention
In accordance with one aspect of the invention there is provided a player
for playing a software carrier containing thereon digital data representative
of
picture information having a base aspect ratio and for deriving a video signal
having one of multiple aspect ratios, said software carrier including a code
indicative of said base aspect ratio, comprising means for representing a
selected
aspect ratio, said representing means normally representing a default aspect
ratio; means for allowing a user to select one of said multiple aspect ratios,
thereby to change the represented aspect ratio from the default to a selected
aspect ratio; means for reading and processing digital data read from said
software carrier; means for generating from said digital data, in accordance
with
the represented selected aspect ratio, successive digitized frames; and means
for
converting said successive digitized frames to a corresponding video signal.
CA 02237075 2000-06-14
2a
Another aspect of the invention provides a system for generating a video
signal in one of multiple aspect ratios from play of a software carrier on
which is
recorded an image program in only one aspect ratio, said software carrier
including a code indicative of the recorded aspect ratio, comprising means for
playing said software carrier to derive a signal representative of the image
program recorded thereon, means for selecting one of said multiple aspect
ratios,
means for generating a video signal from the signal derived from play of said
software carrier in an aspect ratio which is a function of both the selected
aspect
ratio and the recorded aspect ratio indicated by said code, means for
representing
said selected aspect ratio, said representing means normally representing a
default aspect ratio, means for allowing a user to choose one of said multiple
aspect ratios thereby to change the represented aspect ratio from the default
to a
selected aspect ratio, and means, responsive to said represented aspect ratio
and
the recorded aspect ratio indicated by said code being insufficient to
determine the
aspect ratio of said video signal, for providing a user with a choice of
aspect ratios
each consistent with said represented and code-indicated aspect ratios.
A further aspect of the invention provides a software carrier for storing
thereon digital data representative of frames of a motion picture, said
digital data
having a data structure comprising a lead-in section followed by successive
data
blocks, said lead-in section containing data indicative of the aspect ratio of
the
picture frames represented by said data blocks, and said data blocks
containing
pan scan data together with picture frame data, each item of pan scan data
being
indicative of a portion of an overall frame, with different items of pan scan
data
being indicative of different portions of an overall frame.
CA 02237075 2000-06-14
2b
A key to the understanding of the present invention is that there are
sections of many video programs in which no dialog occurs. In the absence
of dialog, there is no reason to provide a language-specific track. During
any "no-dialog" sequence, all that are available, if even that, are music and
effects. Thus a music and effects (M&E) track is really all that is necessary
-- for all language versions -- during much of the total running time of a
motion picture. In fact, an M&E track is all that is required in the usual
case for far more than half the running time. Obviously, a Shakespearean
movie will have more dialog, and hence more language-specific dialog, than
an action-adventure movie. Nevertheless, most present-day releases have
far more non-dialog M&E than they do the spoken word.
CA 02237075 1998-07-06
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Before summarizing the invention, it is to be appreciated that the
present invention contemplates data-efficient storage and recovery of
various audio versions, and not just different language movie soundtracks.
For example, multiple soundtracks could include teaching and testing ver-
y lions of the same material, and there could perhaps be teaching and testing
versions for multiple levels of expertise. The multiple soundtracks that
would be provided in such a case might even have some dialog in common,
not only M&E. Thus, it is to be understood that the object of the invention
is to provide a plurality of audio tracks synchronized with a motion picture,
and not necessarily audio tracks which differ only in terms of language. It
is also to be understood that the invention is not limited to a particular
medium, and it is applicable to tape carriers and all digital storage media,
not just the optical disks of the illustrative embodiment of the invention.
Nor is the invention limited only to the distribution of motion pictures. For
example, in an extreme case, the invention is applicable to the distribution
of a library of still pictures, in which case there is no "motion" at all. The
term "audio tracks" thus embraces much more than audio tracks with
different dialog languages, the term "software publisher" thus embraces
much more than a motion picture company, and the term "carrier" embraces
much more than a digitally encoded optical disk.
The illustrative embodiment of the invention is an optical disk which
includes multiple audio tracks synchronized with a motion picture track. At
least one of the audio tracks is a mixing master or a switching master. A
mixing master is a track which includes M&E, but for the most part no
dialog. A switching master is a track which includes M&E, together with
dialog in a particular language. Other tracks on the disks are specific to
respective languages and include material that is language specific. Where
no language-specific material is required for a particular audio track,
nothing is recorded so that there is no wasted "real estate." as will be
described below. Consider the case of a mixing master M~S:E track, and
three language-specific audio tracks in English. Spanish and French. For a
CA 02237075 1998-07-06
two-hour movie, the M&E track might have recorded close to two hours of
audio. (Where there is no sound at all, there is no need to store any data,
once again in order to avoid wasting any storage capaciy.) The three
language-specific tracks have dialog recorded in them, but no music and no
effects -- and each of the three tracks has data recorded in it only where it
is necessary for dialog. The user selects one of the three tracks, the French
track, for example, if he wants to hear the French version of the movie.
The mixing master audio track and the French audio track are the only
ones which are read by the player, and the digital information recorded in
the two tracks is mixed, so that the net result is a conventional soundtrack,
in French. To play the Spanish version of the same movie, the user would
simply select the Spanish-soundtrack instead of the French.
A switching master, on the other hand, would typically include dialog.
Consider a motion picture which is originally shot with the actors speaking
English. The switching master audio track would include the original
motion picture soundtrack. To play the English version of the release, the
switching master audio track would be played by itself from beginning to
end. But suppose that it is desired to play the French version of the motion
picture. In this case, the French audio track would include not only French
dialog, but French dialog together with music and effects. All that is
necessary to derive the French version of the motion picture is to play the
switching master audio track most of the time, but to switch from it to the
French audio track -- and to play the French audio track alone -- where
there is French dialog. The major difference between using mixing and
switching masters is that the former is mixed with one of the language-
specific tracks so that M&E can be (although does not necessarily have to
be) recorded only on the master track, while in a switching system only one
track is played at any given time so that M&E has to be recorded on the
language-specific tracks. It is also possible to provide both schemes on the
same disk, i.e., to provide both kinds of master tracks, with some of the
CA 02237075 1998-07-06
_j_
language-specific tracks being used with the mixing master, and some being
used with the switching master.
The disk includes within its lead-in section a series of codes which
identify whether each audio track on the disk is a mixing master, a switching
master, a track to be mixed with a mixing master, or a track to be switched
with a switching master. There are a maximum of 16 audio tracks which
may be provided. However; there are many more languages than this
number. It is necessary to identify which languages are available on the
disk so that the user can control his player to generate a soundtrack in the
desired language. For this reason, the lead-in section of the disk identifies
which lanQua~es are available on the disk. In the illustrative embodiment of
the invention, the first audio track is an M&E track, a mixing master or a
switching master. If there are a total of N audio tracks, where N is 16 or
less, then there may be N-1 language-specific audio tracks. (There would
be N-2 language-specific tracks if both mixing and switching masters are
provided.) If the first track is a mixing master, then there can be at most
N-1 language-specific versions since dialog is available only starting with
the
second track. (Theoretically, if the first track is a switching master and it
contains dialog in the original language, then this track can be played alone
from beginning to end and there are N language versions available.) If a
player determines from an analysis of the lead-in section of the disk that the
first audio track is a mixing master and the fourth audio track contains
dialog in French, and it this fourth track that is to be mixed with the mixing
master, then all that is required for generation of a French soundtrack is to
mix the first and fourth soundtracks. This is not to say that there will
always be data in these tracks. On the contrary, the underlying assumption
of the invention is that the French-specific audio track will, more often than
not, contain no data.
Information recorded on the software carrier is recorded in separately
identifiable blocks. This is true for both video and all of the synchronized
audio. Each block contains indicia of which audio tracks in the block
CA 02237075 1998-07-06
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represent a signal. Thus, a particular block may contain switching master
information, as well as information in a language-specific track which is to
be switched with the switching master. When the player determines at the
start of the reading of a block that the block contains data in a language-
specific track, it switches from play of the switching master to play of the
language-specific track. All it takes is a single bit for each of the up to N
tracks at the beginning of a block to allow the player to determine whether
respective language-specific information is in the block being processed.
Other features of the invention will be described below. For example,
a citizen of Spain, who purchases a player and optical disks in Spain, can be
assumed to want to hear Spanish versions of a motion picture. Therefore, a
player sold in Spain should "default" to play of a Spanish audio track if one
is available on the disk. Only if the default language is not available, or
the
user actually wants to hear dialog in a different language, should she be
required to choose from among the available languages. How the data is
stored on software carriers, and how it is accessed and played, will be
discussed at length below.
The invention is disclosed in the context of an overall system which
offers numerous advantageous features. The entire system is described
although the appended claims are directed to specific features. The overall
list of features which are of particular interest in the description below
include:
Video standard and territorial lock out.
Play in multiple aspect ratios.
~ Play of multiple versions, e.g., PG-rated and R-rated, of the
same motion picture from the same disk, with selective auto-
matic parental disablement of R-rated play.
Encrypted authorization codes that prevent unauthorized pub-
fishers from producing playable disks.
CA 02237075 1998-07-06
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Provision of multiple-language audio tracks and multiple-lan-
guage subtitle tracks on a single disk. with the user specifying
the language of choice.
Provision of multiple "other" audio tracks, e.g., each containing
some component of orchestral music, with the user choosing
the desired mix.
Variable rate encoding of data blocks, and efficient use of bit
capacity with track switching andlor mixing, to allow all of the
above capabilities on a single carrier.
Further objects, features and advantages of the invention will become
apparent upon consideration of the following detailed description in con-
junction with the drawing, in which:
FIG. 1 depicts a prior art system and typifies the lack of flexibility in,
and the poor performance of, presently available media players;
FIG. 2 depicts the illustrative embodiment of the invention;
FIG. 3 is a chart which lists the fields in the lead-in portion of the
digital data track of an optical disk that can be played in the system of
FIG. 2;
FIG. 4 is a similar chart which lists the fields in each of the data
blocks which follow the lead-in track section of FIG. 3;
FIGS. SA-SE comprise a flowchart that illustrates the processing by
the system of FIG. 2 of the data contained in the lead-in track section of an
optical disk being played;
FIG. 6 is a flowchart that illustrates the processing of the data blocks,
in the format depicted in FIG. 4, that follow the lead-in section of the
track;
FIG. 7A is a state diagram and legend that characterize the manner in
which the player of the invention reads only those data blocks on a disk
track that are required for the play of a selected version of a motion picture
ar other video presentation, and FIG. 7B depicts the way in which one of
CA 02237075 1998-07-06
.$.
two alternate versions can be played by following the rules illustrated by the
state diagram of FIG. 7A;
FIG. 8 depicts symbolically a prior art technique used in compressing
the digital representation of a video signal: and
FIG. 9 illustrates the relationships among three different image aspect
ratios.
The Prior Art
The limitations of the prior art are exemplified by the system of
FIG. 1. Such a system is presently available for playing a single source of
program material, usually a VHS videocassette, to generate a video signal
conforming to a selected one of multiple standards. A system of this type is
referred to as a mufti-standard VCR, although stand-alone components are
shown in the drawing. Typically, a VI-IS tape 7 has recorded on it an NTSC
(analog) video signal, and the tape is played in a VHS player 5. The analog
signal is converted to digital form in A/D converter 9, and the digital
representations of successive frames are written into video frame store 11.
Circuit 13 then deletes excess frames, or estimates and adds additional
frames, necessary to conform to the selected standard, e.g., PAL. To
convert from one standard to another, it is generally necessary to change
the number of horizontal lines in a field or frame (image scaling). This is
usually accomplished by dropping some lines, and/or repeating some or
averaging successive lines to derive a new line to be inserted between them.
The main function of circuit 13, of course, is to convert a digital frame
representation to analog form as the video output.
Systems of the type shown in FIG. 1 generally degrade the video
output. Conventional videocassettes deliver reduced quality video when
they support more than one video standard. One reason is that there is a
double conversion from analog to digital, and then back again. Another is
that the image scaling is usually performed in a crude manner (deleting
lines, repeating lines and averaging lines). There are known ways, however.
CA 02237075 1998-07-06
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to perform image scaling in the digital domain without degrading the
picture. While not generally used. the technique is in the prior art and will
therefore be described briefly as it is also used in the illustrative embodi-
went of the invention.
To give a concrete example, the PAL standard has 625 lines per
frame, while the NTSC standard has 525 lines per frame. Because no part
of the image is formed during the vertical retrace, not all of the horizontal
line scans in either system are usable for representing image information.
In the PAL standard there are nominally 576 lines per frame with image
information, and in an NTSC frame there are nominally 483 lines with
image information.
To convert from one standard to another, successive fields are first de-
interlaced. Then 576 lines are converted to 483, or vice versa, and re-
interlaced. How this is done is easy to visualize conceptually. Consider, for
example, a very thin vertical slice through a PAL frame. The slice is broken
down into its three color components. Image scaling for converting from
PAL to NTSC, from a conceptual standpoint, is nothing more than drawing
a curve based on 576 PAL pieces of color data and then dividing the curve
into 483 parts to derive a piece of data for each horizontal line of the
desired NTSC signal. In actuality, this is accomplished by a process of
interpolation, and it is done digitally. (Image scaling, in general, may also
involve a change in the aspect ratio, for example, in going from HDTV to
NTSC, and may require clipping off information at both ends of every
horizontal line.)
While prior art systems thus do provide for standards conversion, that
is about the extent of their flexibility. The system of FIG. 2, on the other
hand, offers unprecedented flexibility in ways not even contemplated in the
prior art.
CA 02237075 1998-07-06
. , -10-
The Illustrative Svstem Of The Invention
The system of FIG. ? includes a disk drive 21 for playing an optical
disk 23. Digital data stored on the disk appears on the DATA OUT
conductor 25. The disk drive operation is governed by microprocessor disk
drive controller 27. The read head is positioned by commands issued over
HEAD POSITION COi~'TROL lead ?9, and the speed of the disk rotation
is governed by commands issued over RATE CONTROL conductor 31.
Optical disks are usually driven at either constant linear velocity or
constant
angular velocity. (Another possibiliy involves the use of a discrete number
of constant angular velocities.) Disks of the invention may be driven at
constant linear velocity so that the linear length of track taken by each bit
is
the same whether a bit is recorded in an inner or outer portion of the track.
This allows for the storage of the most data. A constant linear velocity
requires that the rate of rotation of the disk decrease when outer tracks are
being read. This type of optical disk control is conventional. For example,
the CD audio standard also requires disks which are rotated at a constant
linear rate.
Microprocessor 41 is the master controller of the system. As such, it
issues commands to the disk drive controller over conductor 43 and it
determines the status of the disk drive controller over conductor 45. The
- disk drive controller is provided with two other inputs. Block num-
ber/pointer analyzer 47 issues commands to the disk drive controller over
conductor 49, and BUFFER FULL conductor 51 extends a control signal
from OR gate 54 to the disk drive controller. These two inputs will be
described below. (In general, although reference is made to individual
conductors, it is to be understood that in context some of these conductors
are in reality cables for extending bits in parallel. For example, while the
output of OR gate 54 can be extended to the disk drive controller over a
single conductor 51, block number/pointer analyzer 47 could be connected
to the disk drive controller over a cable 49 so that mufti-bit data can be
sent
in parallel rather than serially.)
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An important feature of the system of FIG. 2 is that bit information is
stored on the disk at a rate which varies according to the complexit<~ of the
encoded material. By this is meant not that the number of bits per second
which actually appear on the DATA OUT conductor 25 varies, but rather
that the number of bits which are used per second varies. Video informa-
tion is stored in compressed digital form. FIG. 8 shows the manner in
which video frames are coded according to the MPEG1 and MPEG2
standards. An independent I-frame is coded in its entirety. Predicted or P-
frames are frames which are predicted based upon preceding independent
frames, and the digital information that is actually required for a P frame
simply represents the difference between the actual frame and its predic-
tion. Bidirectionally predicted B-frames are frames which are predicted
from I and/or P frames, with the information required for such a frame
once again representing the difference between the actual and predicted
forms. (As can be appreciated, fast forward and fast reverse functions, if
desired, are best implemented using I-frames.) The number of bits required
to represent any frame depends not only on its type, but also on the actual
visual information which is to be represented. Obviously, it requires far
fewer bits to represent a blue sky than it does to represent a field of
flowers. The MPEG standards are designed to allow picture frames to be
encoded with a minimal number of bits. Frame information is required at a
constant rate. For example, if a motion picture film is represented in digital
form on the disk, 24 frames will be represented for each second of play.
The number of bits required for a frame differs radically from frame to
frame. Since frames are processed at a constant rate, it is apparent that the
number of bits which are processed (used) per second can vary from very
low values to very high values. Thus when bits are actually read from the
disk, while they may be read from the disk at a constant rate, they are not
necessarily processed at a constant rate.
Similar considerations apply to any audio stored on the disk. Any
data block may contain the bit information required for a variable number
CA 02237075 1998-07-06
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of image frames. Any data block may similarly contain the bit information
required for a variable time duration of a variable number of even numer-
ous audio tracks. (There is just one physical track. The reference to
multiple audio tracks is to different series of time-division slices
containing
respective audio materials.) The audio tracks contain digital information,
which may also be in compressed form. This means that if there is informa-
tion stored in any data block for a particular audio track, those bits do not
necessarily represent the same time duration. It might be thought that the
duration of the sound recorded for any audio track corresponding to any
picture frames represented in a block would be the duration of the picture
frames. However, that is not necessarily true. This means that audio infor-
mation may be read before it is actually needed, with the reading of more
audio information pausing when a sufficient amount has already accumu-
lated or with audio not being included in some data blocks to compensate
for the preceding over-supply. This leads to the concept of buffering, the
function of audio buffers 53, video buffer 55, pan scan buffer 57, subtitle
buffer 59, and OR gate 54 which generates the BUFFER FULL signal.
As each data block is read from the disk, it passes through gate 61,
provided the gate is open, and the bit fields are distributed by demulti-
plexer 63 to the various buffers and, over the COMMAND,~DATA line 65,
to master controller 41. Each data block in the illustrative embodiment of
the invention contains video bit information corresponding to a variable
number of picture frames. As discussed above, there may be a large
number of bits, or a small number, or even no bits (for example, if the
particular disk being played does not represent any video). Successive
groups of video data are stored in video buffer 5~ separated by markers.
Video decoder 67 issues a command over conductor 69 when it wants to be
furnished with a new batch of data over conductor 71. Commands are
issued at a steady rate, although the number of bits furnished in reply vary
in accordance with the number of bits required for the particular frames
being processed. The rate at which bits are read from the disk drive is high
CA 02237075 1998-07-06
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enough to accommodate frames which require maximal information, but
most frames do not. This means that the rate at which data blocks are
actually read is higher than the rate at which they are used. This does not
mean, however, that a well-designed system should delay reading of a block
S of data until the data is actually required for processing. For one thing,
when data is actually required, the read head may not be positioned at the
start of the desired data block. It is for this reason that buffering is
provid-
ed. The video buffer 5~ contains the bit information for a number of
successive frames (the actual number depending upon the rate at which bits
are read, the rate at which frames are processed. etc., as is known in the
art), and video data block information is read out of the video buffer at a
constant frame rate determined by video decoder 67. Video data is de-
livered to the buffer only until the buffer is full. Once the buffer is full,
no
more information should be delivered because it cannot be stored. When
the video buffer is full, a signal on conductor 69 causes the output of OR
gate 54 to go high to inform disk drive controller 27 that one of the buffers
is full.
Similar remarks apply to the three other t<~pes of buffers. (There is a
single subtitle buffer 59, a single pan scan buffer 57, and numerous audio
buffers 53, the purpose of all of which will be described below.) When any
of these buffers is full, its corresponding output causes OR gate 54 to
control the BUFFER FULL conductor to go high and to so inform the disk
drive controller that one of the buffers is full. Audio buffers 53 and
subtitle
buffer 59 operate in a manner comparable to that described for video
buffer 55. Audio processor decoder 71 issues a command to the audio
buffers when it requires audio track data, at which time the audio buffers
furnish such data. Similarly, graphics generator 73 retrieves data from
subtitle buffer 59, and pan scan processor/vertical scaler 87 receives data
from pan scan buffer 57 as will be described below.
When any one of the four buffers is full (which includes any one of
the individual buffers within the block 53), the disk drive controller 27
CA 02237075 1998-07-06
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causes the disk drive to stop reading data. Data is not read again until all
of the buffers can accept it, i.e., until no buffer is full and conductor ~1
goes low. (Conversely, if the buffers are being depleted of data too rapidly,
an adjustment in the RATE CONTROL signal on conductor 31 increases
the disk speed and thus the rate at which the buffers are filled.)
This discussion of buffering arose from a consideration of the BUF-
FER FULL input 51 to the disk drive controller 27. The other input which
remains to be described is that represented by cable 49. As will be de-
scribed below, every data block has a serial block number as well as pointer
information at its beQinnino. Circuit 47 reads the serial block number and
analyzes the pointer information. The pointer, a serial block number.
points to the next data block which should be read. This information is
furnished to the disk drive controller over cable 49. It is in this way that
the disk drive controller can control positioning of the read head of the disk
l~ drive so that the desired data block can be accessed. Many times the wrong
block will be read -- this is to be expected in the case of a jump to a new
block, as is the case, for example, when a jump is made from one track to
another when playing a CD audio disk. If the disk drive reads a data block
whose serial block number is too high or too low, this is determined by
block number/pointer analyzer 47 which then issues a new command over
cable 49 to the disk drive controller to cause it to read another block with a
lower or higher serial block number respectively. During the time that the
read head is positioning itself to read a new block, the data which is read is
not actually used. Gate 61 remains closed so that the information is not
?5 delivered to the demultiplexer 63 for distribution to the four buffers and
to
the master controller 41 over the COMMAND/DATA lead. It is only when
the correct data block is reached, as determined by circuit 47 analwing the
serial block number at the start of the block, that conductor 7~ is pulsed
high to open gate 61.
The remainder of the block is then delivered to the demultiplexer.
The data bits read from the disk are also delivered to the microprocessor
CA 02237075 1998-07-06
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master controller 41 over conductor 7 ~ . Each data block contains not only
bit information which must be distributed to the various buffers. but also
control information, e.g., bits that identify the kind of data actually to be
found in the block. The identification bits (flags and the like, as will be
described below) are furnished to the master controller so that it is in
control of the system at all times. The identification bits are used by the
demultiplexer to control data distribution to the various buffers. (The
master controller issues commands over conductor 76 to the block num-
ber/pointer analyzer 47 which exercise not only general control over this
element, but also specific control by causing element X17 to turn off the
enabling signal on conductor 75 as is appropriate to prevent full data blocks
from entering the demultiplexer if they are not required for subsequent
processing.)
The master controller is at the heart of the system and in fact carries
out the bulk of the processing to be described below. The user of the
player communicates with the master controller via an interface 79, typically
a keyboard. The user also is provided with a key and lock mechanism,
shown symbolically by the numeral 81, which is referred to herein as the
"parental lock" option. If the lock is turned on, then R-rated motion
pictures will not play. The manner in which this is controlled by bits
actually represented on the disk will be described below. If the lock is on,
and only an R-rated picture is on the disk, a disabling signal on PAREN-
TAL LOCK CONTROL conductor 83 closes gate 61. No data bits are
transmitted through the gate and the disk cannot be played. As will be-
come apparent below, if the disk also has on it a version of the film which
is not R-rated, it will play if it is selected by the viewer. Although the
parental lock feature is shown as requiring the use of an actual key and
lock, it is to be understood that the feature can be implemented by requir-
ing keyboard entries known only to a child's parents. The manner of
informing the master controller that R-rated versions of a motion picture
should not be viewed is not restricted to any one form. Just as physical
CA 02237075 1998-07-06
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keys and coded keys are alternatively used to control access to a computer,
so they can be in the system of FIG. ?. What is important is the way in
which two different versions can be represented on the same disk (without
requiring the full version of each), and how the system determines whether
a selected version may be played in the first place. This will be described
below.
Master controller 41 includes several other outputs which have not
been described thus far. Conductor 85 represents a MASTER CLOCK bus
which is extended to all of the sub-systems shown in FIG. ?. In any digital
system, a master clock signal is required to control the proper phasing of
the various circuits. The six other outputs of the master controller are
extended to demultiplexer 63, audio processor decoder 71, pan scan proces-
sor/vertical scaler 87, video frame store, interlace and 3:2 pulldown cir-
suit 89, graphics generator 73, and sync generator and DVA converter 92.
These are control leads for governing the operations of the individual
circuit blocks.
Audio processor decoder 71 processes the data in buffers ~3 and
derives individual audio analog signals which are extended to an ampli-
fierlspeaker system shown symbolically by the numeral 91. Video decod-
er 67 derives a DIGITAL VIDEO signal on conductor 93 from the com-
pressed video data which is read from buffer 5~. The digital video is fed to
pan scan processor/vertical scaler 87 frame by frame. The particular video
coding/decoding that is employed is not a feature of the present invention.
A preferred standard would be one along the lines of MPEGl and MPEG2,
but these are only illustrative. The same is true of the audio track coding.
The present invention is not limited to particular coding methods.
The operations of circuits 57 and 87 can be best understood by first
considering the symbolic drawing of FIG. 9. The digital information which
is stored on the optical disk in the preferred embodiment of the invention
characterizes frames having a "master" aspect ratio of 16:9, the so-called
"wide screen" image. The master aspect ratio is shown on the upper left in
CA 02237075 1998-07-06
-17-
FIG. 9. If the ultimate analog signal to be displayed on the user's television
receiver requires this aspect ratio, and the number of horizontal scan lines
with picture information (as opposed to horizontal scan lines which occur
during vertical retrace) corresponds with the number of horizontal lines
represented by the video bit information stored on the disk, then the
generation of the video analog signal is straightforward. But if the televi-
sion receiver of the user accommodates a TV signal having a 4:3 aspect
ratio, and the master aspect ratio on the disk is 16:9 rather than ~:3, then
there are two choices. One is to display the original picture in "letter box"
form. As depicted on the right side of FIG. 9, what is done in this case is
to vertically compress uniformly a master image so that its horizontal
dimension fits into the confines of the television receiver. This results in
the vertical dimension being shortened at the same time so that it fills less
than the full height of the TV display area. What this means is that the
horizontal line scans at the top and bottom of each overall frame must be
blanked, with dark bands forming in their place -- but the original aspect
ratio is preserved. The other option is for a "pan scan" reduced aspect
ratio. What this involves is superimposing a box having a ~t:3 aspect ratio
on the original wide screen image. As a result, the left side of the picture,
the right side, or both sides, are clipped off. (In all cases, even if a wide
screen image corresponding to a 16:9 master aspect ratio is to be shown, it
may be necessary to form a number of horizontal line scans which is
different from the number of horizontal lines represented on the disk. The
number of horizontal lines is a function of the video signal standard to
which the video output must conform. Changing the number of lines is a
process known as vertical scaling, as described above.)
With respect to pan scan processing, it will be apparent from FIG. 9
that in order to identify that portion of a 16:9 master aspect ratio picture
which should be used to form a pan scan reduced aspect ratio picture, all
that is required is to specify the starting point along each horizontal line
scan of the information that should be used. Specifying a single number
CA 02237075 1998-07-06
-1S-
(e.g., column 200 out of a total of 960 columns) suffices for this purpose.
The issue, however, is whether the same column is always used. In some
cases the player may be told that if a 4:3 aspect ratio is desired. it should
always be taken from the middle of the wide screen image. In other cases.
a variable column starting point may be desired, in which case a data block
actually contains information which represents the starting column number
which should be used from that point until another change is effected.
As will become apparent below, the video information in each data
block includes a flag which represents whether the pan scan column infor-
oration should be updated. If there is such a flag, video decoder 67 issues a
command over conductor 9~ to pan scan buffer 57. At this time the buffer
accepts a pan scan update from demultiplexer 63. That update remains in
the buffer, for use by pan scan processor/vertical scaler 87 with the succeed-
ing frames, until another change takes place.
It is in pan scan processor/vertical scaler 87 that the number of
horizontal lines is adjusted and the aspect ratio is changed. The digital
video is furnished by video decoder 67 and the pan scan information, if it is
required, is provided by buffer 57. The output of circuit 87 consists of
uncompressed digital video, in the desired aspect ratio and represented by
the number of horizontal lines required for the selected television standard.
Once video frame information is stored digitally in frame store 89, it
can be broken up into interlaced fields if the selected standard requires it.
Also. 3:2 pulldown is the technique used to convert 24-frames-per-second
motion pictures to 60-fields-per-second video (the nominal values of 24 and
60 are in reality 23.97 and 59.94); to convert data representative of a
motion picture to an NTSC format, frame information (data blocks) must
be read at the rate of 24 per second. (As is standard in the art, such a
transformation applies frame 1 of the source material to fields 1, 2 and 3 of
the video signal, frame 2 of the source material to fields 4 and 5 of the
video signal. frame 3 of the source material to fields 6, 7 and 8, etc., thus
yielding 60 fields for 24 original frames.) On the other hand. conversion to
CA 02237075 1998-07-06
-19-
the PAL standard is relatively simple. and 3:? pulldown is not required.
The PAL standard requires ~0 fields per second. Frames are processed at
the rate of 25 per second, and every frame is used to form two fields.
(Because motion picture films are shot at the rate of 24 frames per second
yet processed at the rate of 25 per second when converting to PAL, every-
thing which occurs on the TV screen takes place 4% faster in Europe than
it does in the United States.) Whether the frames are processed at the rate
of 25 per second or 24 per second is controlled by changing the frequency
of the MASTER CLOCK signal on bus 85
The output of block.89 is digital, and is extended to sync generator
and D/A converter 92. It is in this element that appropriate sync pulses are
inserted into the fields, and the digital information is converted to analog.
Any subtitles that are required are contained in buffer 59. Under control of
microprocessor 41, commands are issued over control lead 97 to graphics
generator 73. This conventional circuit retrieves coded character informa-
tion from the subtitle buffer, and generates a VIDEO signal on conduc-
for 99 which depicts the subtitles. The KEY signal is generated on conduc-
tor 98, and the two signals are extended to a conventional keyer circuit 96.
This device merges the subtitles with the video image (utilizing hard or
linear keying at the manufacturer's option, as is known in the art), and
extends the composite video signal to a conventional TV display device 94.
Lead-In Track Fields
Before proceeding with a description of the detailed processing, it will
be helpful to consider the information which is stored in the lead-in portion
of the disk track. This information is stored in individual fields as depicted
in FIG. 3, and it is this information which controls subsequent processing of
the data read from the disk. The format of a data block is shown in FIG. 4,
but for an understanding of how the data in this block is used, it is neces-
sary to appreciate the set-up information which is read first.
CA 02237075 1998-07-06
Referring to FIG. 3, at the start of the track there are a number of
lead-in svnc bits. Although for all other entries minimum and maximum
numbers of bits are depicted in the appropriate columns, no such numbers
are provided for the lead-in sync bits. The number of sync bits required at
the beginning of the track depends on the hardware employed. Given the
particular hardware and range of disk speeds involved, a sufficient number
of sync bits are provided at the start of the track to allow the circuits
involved with reading the disk, including disk drive controller 27 and block
number/pointer analyzer 47, to synchronize themselves to the bit stream on
DATA OUT conductor 25. Bit synchronization is a technique well known
in digital systems.
The second field consists of 40 bits representing authorized territories.
There are several ways in which software publishers can lock out play of
their software. The most important involve controlling whether R-rated
motion pictures can be played (the parental lock out option), and whether
the final analog output video signal can assume the standard selected by the
user. It is in this way, for example, that a software publisher might allow a
motion picture to be played on an NTSC receiver but not a PAL receiver.
But as long as the player is provided with this kind of lock out control, it
can be extended to territories. All players used with the disks of the inven-
tion conform to the same set of specifications. One feature of the design is
that each player is provided with a representation of the territory or terri-
tories for which it has been intended for sale. For example, the territory or
territories can be represented by the settings of a DIP switch, a code stored
in a microprocessor ROM (e.g., in master controller 41) or the like. It is
assumed that there are a total of 40 possible territories. Each disk has a
40-bit field in its lead-in section, each bit of which is associated with one
of
the 40 territories. A 1 in any bit position is an indication that the disk is
authorized for play in the respective territon~, and a 0 is an indication that
it is not. A player whose code indicates that it is for sale in China, for
CA 02237075 1998-07-06
'' 1-
example, will not play a disk if there is a 0 in the ~t0-bit territon~ field
at the
position associated with China.
As an example of the use of such a feature. consider a player intended
for sale in a particular country. A software publisher might put out a
motion picture film which for contractual reasons is not to be released in
that country. It is for this reason that a 0 would be stored in the bit
position associated with that country in the authorized territories field of
the lead-in section of the track. Upon sensing this bit, master controller 41
would cause circuit 47 to generate an inhibit signal on conductor 7~ which
would permanently cause gate 61 to block all data from passing through it.
The third field is a single bit, a flag which indicates whether there is
any information in the following field. This information is termed herein
"special software." The player of FIG. 2 ordinarily executes the same
software code, typically contained in read-only memory. It is this code
which will be described in connection with the flowcharts of the drawing.
However, since the player is microprocessor controlled, there is no reason
why it cannot be used for some even totally unrelated purpose, and this can
be enabled simply by loading software from the disk. If the special software
flag is a 1, then master controller 41 reads on conductor 77 the software
which immediate follows in field 4. Thus depending on whether the special
software flag is a 0 or a 1, the fourth field is either empty or contains
software of undetermined length. At the end of the software there is a sync
word which is unique in the sense that this word is not allowed to occur
anywhere in the overall data stream. When the sync word pattern appears,
it is an indication that the preceding data field has come to an end, and a
new field follows. (In the event data having the sync word pattern would
otherwise appear in the data stream and be misinterpreted as a sync word,
it can be avoided using known techniques. For example, if the sync word
consists of 32 bits of a predetermined pattern. and some overall data
sequence includes this pattern within it, then after 31 bits of the data
pattern are recorded, an extra bit, having a value opposite that of the last
CA 02237075 1998-07-06
bit in the sync word pattern. may be inserted in the bit stream. When the
player sees this bit, it discards it and treats the following bit as a data
bit
instead of the last bit of the sync word.)
An example of special software might be software for controlling video
games. While the player is provided with an operating system designed for
the play of motion pictures and mufti-track audios, it is certainly feasible
for
the player to perform additional and/or different functions involved in the
play of video games. This is especially true if the user interface is detach-
able and joysticks and the like may be connected in place of a keyboard to
accommodate game-playing peripheral equipment. The system can be
converted to a video game player simply by storing the necessary software
as it is read from the disk. While in the flowcharts to be described below
the special software is shown as being self-contained and not involving the
standard processing steps, the special software can certainly call operating
system subroutines for execution in order to take advantage of the built-in
code.
The fifth field consists of 12 bit positions, each corresponding to a
different standard. Standards include 1250-line European HDTV, 1125-line
Japanese HDTV, 1050-line proposed American HDTV (as well as 1080-line
and 787-line proposed standards), 625-line PAL, 525-line NTSC, 625-line
SECAM, 360-line "letter box", etc. It is even possible to accommodate
future standards, although to form an appropriate video signal in such a
case different software would be required. However, that simply entails
providing software on a disk to supplement the built-in operating system.
As a single example, if the first bit position of the 12-bit field cor-
responds to the NTSC standard, and if the user selects an NTSC standard
for play on his TV receiver, or if that is his default setting (as will be
discussed below), then an NTSC signal will be generated only if the first bit
in the authorized standards field is a 1.
Field 6 always contains 100 bits. These bits represent respective audio
languages -- dialog -- for a motion picture. It is rare that so many foreign-
CA 02237075 1998-07-06
j-
language versions of the same motion picture will be prepared, and it is not
contemplated that so many versions will actually be included on a disk. In
fact, there are a maximum of 16 audio tracks which can contain dialog in
different languages. Each of the 100 bits, except the first, represents one of
S 99 languages. If there is a 1 in the corresponding bit position, it is an
indication that there is an audio track with dialog in the corresponding
language.
The first of the 100 bit positions does not really correspond with a
language. Instead. a 1 in the first bit position means that there is a music
and effects ("M&E") track. (By "effects" is meant such things as the sound
associated with thunder, gunshots and the like.) As indicated in the Com-
ments field on FIG. 3, there are N "1"s in field 6 of the lead-in section of
the overall track, where N has a maximum value of 16 (one M&E track and -
up to 15 dialog tracks, or up to 16 dialog tracks without M&E). As a single
example, suppose that the third bit position corresponds with French, the
fifth corresponds with Greek, and the 100-bit field is 10101000...Ø This
means that there is an M&E track, as well as French and Greek dialog
tracks. It does not mean that every single data block on the disk includes
bit information which represents M&E, and French and Greek dialog.
What it does mean is that any data block has at most three audio tracks
with M&E and/or dialog. It also means that any data block which has such
audio track information contains the information in the order M&E,
French, Greek. Just how the system determines which specific data blocks
contain audio information for those languages represented in the 100-bit
field will be described below in connection with the fields contained in a
data block.
It should be understood that the language audio tracks do not neces-
sarily include just dialog. As will be described shortly, it is possible to
mix
an M&E track with a French dialog track, with the result being a complete
audio track suitable for play in France. But it is certainly possible that a
particular audio track will include pre-mi.~ced M&E and original dialog. For
CA 02237075 1998-07-06
example, if bit position 10 of the 100-bit field represents English dialog and
there is a 1 stored there, it means that there is an English language version
of audio on the disk. However, it is possible that in the corresponding
audio track there is not only English dialog, but a full sound track including
the M&E. At the same time, there may be M&E in a separate track, if
there is a 1 in the first bit position of the 100-bit field. How the various
tracks are processed in order to derive a complete sound track for play in
any given language depends on subsequent information. Field 6 simply
represents which audio languages are available, as well as whether there is a
separate M&E track (without any dialog).
There is another piece of information which is necessary in order for
the audio scheme to function, and that information is represented in field 7.
For each of the N available audio language tracks (up to a maximum of 16),
there is a 3-bit code in the seventh field. Before describing the meaning of
the codes, it must be understood how the codes are associated with particu-
lar tracks and languages. Suppose that field 6 is 101010000100...0 which is
interpreted to mean that there is an M&E track, a French track, a Greek
track and an English track. From this information alone, there is no way to
tell whether there is even any M&E in the French, Greek and English
tracks. All that is known language-wise is that dialog is available in only
three languages. For this example, there would be 12 bits in field 7. The
first three bits are associated with the M&E track, the second three bits are
associated with the French track, and the third and fourth 3-bit codes are
associated with the Greek and English tracks respectively. The 3-bit codes '
are as follows:
000 -- mixing master (M&E)
001 -- switching master (M&E)
010 -- dialog + (M&E), complete audio track
011 -- track to be mixed with mixing master
100 -- track to be switched with switching master
These five codes are all that are necessary to form complete sound tracks in
the three available languages, French, Greek and English. How the tracks
~
CA 02237075 1998-07-06
_7 ~_
are combined will be described below, but what should be borne in mind is
that the purpose of the entire arrangement is to provide sound tracks in
many languages (up to 15), without requiring what might be a ?-hour audio
recording for each. In fact, if a movie is two hours long, but the actual
dialog is only 30 minutes, the goal is to record one full track (M&E or
original sound track), with only a 30-minute audio recording of dialog for a
particular language.
Field 8 contains Nx4 bits, that is, 4 bits for each of the N "1"s in
field 6. There is thus a 4-bit code in field 8 for each audio language track
which is available on the disk. The 4-bit code represents the track type, and
there are a maximum of sixteen possibilities. Typical track types are single-
channel mono, two-channel Dolby, 5.1-channel Musicam, etc. (The term
5.1-channel refers to left, right, center, left rear and right rear channels,
together with a sub-woofer channeLJ The 4-bit track type codes allow the
master controller to determine the manner in which audio processor
decoder 71 operates on the data in the up-to-16 audio tracks to derive
analog outputs for speaker system 91.
Considering again field 7, there are several ways in which a complete
sound track, in a selected language, can be derived from the disk. The
operation of mixing involves mixing (adding together) two sound tracks.
The operation of switching involves switching between two sound tracks,
and playing only one of them at any given time. The first track is always
M&E, if it is available. The code for this track is always 000 or 001. If the
code is 000, it means that there is no dialog in the track and its M&E is to
be mixed with the selected language track. If the code 011 is associated
with the French track, for example, it means that the first and third tracks
should be mixed at all times. The dialog, when there is dialog, appears in
the French track, and mixing it with the mixing master provides a complete
French sound track. On the other hand, the first track may be a switching
master. What this means is that music and effects are recorded in this
track, with or without dialog. The French track in this case would be
CA 02237075 1998-07-06
-26-
represented by a 100 code. It contains MBE and dialog. but only when
there is dialog. The M&E track, the first. is played alone when there is no
dialog, but the fifth track is played alone when there is. The tracks are
switched, not mixed. The French track, when dialog is recorded in it,
includes not only dialog but M&E as well since this would be the only
source of M&E in a switched type operation.
The fifth possibility (010) is that a particular track happens to contain
the original sound track, M&E together with dialog in the original language.
If the dialog is in the selected language, the track can be played from
beginning to end, by itself. This track can also serve as a switching master
(code 001) for other languages.
When it comes to mixing tracks, whatever audios are in the two
specified tracks (the mixing master and the track which is mixed with it) are
simply added together at all times; whatever audio there is in the two tracks
gets played. It is only when switching between the switching master and the
track with which it is switched that one track gets played in lieu of the
other. It is true that each track may contain audio information only when
the other does not (which would allow mixing), but it is conceivable that the
switching master will also include dialog, i.e., if it is a recording of the
original sound track of the motion picture. That is why switching is em-
ployed -- only one track is heard from at any given moment. As will be
described below, each data block includes bits which inform the master
controller which audio tracks actually contain data in that block. If a
selected audio language track with an original 100 track code has data in
any data block, then the audio processor decoder 71 processes the data in
that audio track to the exclusion of any data which might be in the switch-
ing master track.
Field 9 on FIG. 3 contains six bits which are coded to represent a
number M. This is the number of "other" audio tracks, separate and apart
from the up-to-16 audio language tracks. The usual use for these tracks is
to represent, in compressed digital form, individual instruments or mixes of
~
CA 02237075 1998-07-06
?~_
instruments, with the user having the option of combining them. In an
extreme form, there could be 63 separate instrumental tracks, with the user
being able to combine any tracks he desires, and to set their relative levels
before mixing. If one of the tracks contains the combined sound to begin
with, it is possible to delete an instrument from the orchestral mix by
specifying that its information content should be deleted, or subtracted,
from the orchestral mix. This would allow a user, for example, to play his
piano to the accompaniment of an orchestra playing a concerto from which
piano play has been eliminated. It would also allow a user to single out a
particular instrument to facilitate practice. Precisely what the user does
with the "other" audio tracks is determined by menu selections which are
made available to him. Field 8 simply identifies how many "other" audio
tracks are present on the disk. (The term "other" audio tracks would
appear to be rather non-descriptive, but this isn't the case. The intent is
that the term subsume any audio track usage other than the provision of
sound tracks for motion pictures. Rather than to have orchestral music in
these "other" audio tracks, for example, it is possible to have individual
vocalists, allowing a user to study different harmonizations.)
It is apparent that if there are indeed 63 "other" audio tracks, then
much if not most of the disk capacity may be allocated to audio data. But
that is precisely why so many audio tracks are made available. It is certain-
ly contemplated that some disks playable in the system of FIG. 2 will not
include video. In fact, field 19, to be described below, is a 1-bit field
which
informs the master controller whether there is any video data at all on the
disk.
Once it is determined that there are M "other" audio tracks, the next
field specifies how each track is coded. As in the case of field 8, a 4-bit
code is used for each of the "other" audio tracks. Thus the number of bits
in field 10 can be as low as 0 (if there are no "other" audio tracks) or as
high as 252 (63 x 4).
CA 02237075 1998-07-06
-~ s-
While the player can determine from reading fields 9 and 10 how
many "other" audio tracks there are, the user has to be told what is in these
tracks in order that he know what to do with them. There is a description
of each track, and it is in multiple languages. The first thing that the
player
must be given is a list of the languages in which there are descriptions of
the "other" audio tracks. A I00-bit field is used for this purpose. As
indicated in FIG. 3, field 11 has 100 bits. A 1 in any bit position is an
indication that track definitions are available in the respective language.
The correspondence between bit positions and languages is the same in
field 11 as it is in field 6. It will be recalled that the first bit position
in
field 6 corresponds to M&E, not a traditional "language". The first bit
position in field 11 is thus not used, and there can be at most 99 "1"s in
field 11.
Before the track definitions are actually read and processed, the player
must determine what menu choices to provide the user. Suppose, for exam-
ple, that there are ten "other" audio tracks, each having sounds of different
orchestral instruments. Once the track definitions in the selected language
are made available to the operating system, it can display a standard menu
to the user. The user can then pick particular tracks to be played together,
particular tracks to be deleted, their relative sound levels, and other "stan-
dard" choices. However, in case the "other" audio tracks do not represent
orchestral music, or they do represent it but in a way that requires unusual
menu selections, the standard operating system software for interfacing with
the user so that the system can determine what is to be done with the
"other" audio tracks will not suffice. To accommodate unusual situations,
the operating system must be provided with special software for the creation
of the menu, as well as to control how the selected tracks are mixed/deleted
following user selections. The technique used is the same as the technique
described above in connection with loading special software for changing
the overall operation of the player (fields 3 and 4). Field 12 is a single
bit.
If it is a 1, it is an indication that there is a field 13 which contains
special
CA 02237075 1998-07-06
-29-
mixing/deletion software. As indicated on FIG. 3, field 13 thus has any-
where from no bits to an undetermined number which is dependent on the
length of the special software to be loaded into the machine from the disk.
The special software ends with a sync word so that the player will know
when the next field begins.
The next field, field 14, consists of the track definitions themselves.
Since there are M "other" audio tracks, and there are P languages in which
they are to be defined for the user, PxM character strings are represented
in field 14. Each string is separated from the next by an escape character.
First there are M character strings (track definitions) in the first language
corresponding to the first position in field 11 which contains a 1, then there
are M character strings in the second language corresponding to the second
bit position in field 11 which contains a 1, etc. As will be described below,
the user informs the player in which of the available languages the menu
which includes the track definitions should be displayed. While the entire
DATA OUT bit stream from the disk drive is extended to the master
controller in the system of FIG. 2, only the character strings corresponding
to the selected language are processed. They are processed and displayed
in accordance with the standard software, or the special mixing/deletion
software which was just read from field 12 if such software is included on
the disk. (It should be noted that it is the function of demultiplexer 63 to
distribute to the several buffers only the respective data bits that are
intended for them. It is controller 4I that tells the demultiplexer what to
do after the controller interprets the information in both the lead-in track
section and the individual data blocks.)
As described in connection with FIG. 2, provision is made for the
insertion of subtitles. The language is selected by the user as will be
described, but the player must be told the languages in which subtitles are
available. Another 100-bit field is used for this purpose. As indicated in
line 15 of FIG. 3, the "1"s in the field represent the individual languages
available for subtitles. As is the case with the available display languages,
CA 02237075 1998-07-06
-30-
there is a maximum of 99 since the first bit position corresponds to M&E
which is not strictly speaking a "language."
Field 16 is a 4-bit multiple version code. The player is informed not
only whether there are two versions of the same video presentation on the
disk, but also what the choices are with respect to them. The first bit is a 0
if there is only one version on the disk, in which case the second and fourth
bits are ignored. Bit 1 has a value of 1 if there are two versions on the
disk. The second bit in the code tells the player whether the parental lock
option is to be implemented, or whether a different criterion is to be used
in selecting which version is played. The usual situation is where the
parental lock option is implemented, in which case the bit in the second
position of the 4-bit code is a 0. This informs the player that it should
determine whether the parental lock option is "on." If it is, R-rated (or,
more broadly, adult-rated) versions should not be played. The bit in
position 3 of the code is an indication whether version A (the first or only
version) is R-rated or not (0 = no, 1 = yes), and the fourth bit in the code
provides the same information for version B if there are two versions; if
there is only one version, the fourth bit is ignored. This is all the informa-
tion the player needs to determine whether either or both of two versions
can be played. When there are two versions of the same motion picture on
the disk, the user is asked to select one of them. But if the parental lock
option is "on" and one of the two versions is R-rated, the user is given only
the choice of playing the non-adult version, or playing neither, as will be
described below. If both versions are R-rated and the parental lock option
is "on", then the user can watch neither version.
On the other hand, it is possible that there will be two versions of the
same material on the disk, but it is not a question of one of them being
adult-rated and the other not. For example, one version might be a teach-
ing film including questions and answers, and the other might involve a test
on the same subject matter including just questions. For the most part the
two versions would be the same. In such a case, the first bit in field 16
CA 02237075 1998-07-06
-31-
would still be a 1 to indicate that two versions are available, but the second
bit would now be a 1 instead of a 0, to indicate that the choice between the
two versions does not depend on whether they are R-rated or not. A 1 in
the second bit position is an indication that the third and fourth bits charac-
terize the two versions respectively with respect to a characteristic other
than rating.
What the third and fourth bits actually mean in this case, and what
menu choices are provided the user, has to be determined by resorting to
different criteria. The same technique that was used twice previously is now
used once again -- special software is provided along with the version codes.
Field 17 consists of a single bit which serves as a flag to indicate whether
special version software is available. If the bit is a 1, then field 18 is
read to
access the software. As in the case of the two earlier software fields,
field 18 terminates with a sync word to indicate the start of the next field.
The special software controls a menu presentation that is unique for the
particular disk.
The next field consists of a single bit. As indicated in FIG. 3, it
informs the player whether video data is available. If it isn't, it simply
means that there are no video data block fields in the overall data blocks to
be described in connection with FIG. 4.
Field 20 is a single bit, and it identifies the base or master aspect
ratio. If the bit has a value of 0, it is an indication that any video on the
disk has a 16:9 "wide screen" aspect ratio, as depicted in FIG. 9. On the
other hand, if the bit is a l, it is an indication that the aspect ratio of
the
video on the disk is 4:3.
As described above, if the original video has a "wide screen" aspect
ratio, then there are two ways in which a ~:3 reduced aspect ratio can be
derived. One way is to form the video image from the middle part of the
"wide screen" original. Another way is to "pan scan" in the sense that the
section of the original image which is actually utilized is not necessarily
always the middle part. In fact, FIG. 9 shows the use of more information
CA 02237075 1998-07-06
_37_
on the left than on the right of the original image. Field 21 is a single bit
which is indicative of pan scan availability. If field 20 is a 1, the base
aspect
ratio is 4:3 so that pan scan availability is irrelevant -- the single bit in
field 21 is simply ignored. But if the base aspect ratio is 16:9 (field 20 has
a
0), the value of the bit in field 21 tells the player whether the subsequent
data blocks provide starting column information which can be loaded into
pan xan buffer 57 on FIG. 2. If the bit in field 21 is a 0, the data blocks
do not include column number information, and if the video is to be played
in a 4:3 aspect ratio from a "wide screen" original, then the video image is
formed from the middle part of each original frame. On the other hand, if
pan scan information is available in the data blocks, then buffer 57 on
FIG. 2 is updated as required and the final video formed will have an added
degree of variability.
Field 22 is a 20-bit number which represents the total number of data
blocks on the disk. However, if there are two different versions, while they
have many data blocks in common, the remaining numbers of blocks in the
two versions may be different. For example, a scene might be completely
omitted from one of the versions, in which case it would have a smaller
total number of data blocks. For this reason, if field 16 indicates that there
are two versions of a motion picture or other source material on the disk,
field 23 provides the total number of data blocks in version A, and field 24
provides the total number of data blocks in version B. Both fields are
omitted if there is only one version on the disk.
Each data block may include video information for a variable number
ZS of frames. The system could determine the total playing time from the
number of data blocks (either the total number if there is only a single
version, or two different numbers if there are two versions), only if the
system is informed of the original frame rate and the average number of
frames represented in each block for the disk as a whole. Two disks with
the same number of data blocks will have different running times if the
original source material for one of them was motion picture film whose
CA 02237075 1998-07-06
-33-
frames were generated at the rate of 24 per second and the other had an
original source material derived from a 30 frame-per-second video camera.
Field 25 is a 4-bit value that identifies the original frame rate (24, 30,
etc.),
a number necessary for proper generation of the video signal. Although the
time represented by each data block could be determined from the frame
rate if each data block contains only one frame, it is possible to store more
or less than one frame of data in each data block. Also, there may be no
frame information at all, i.e., the video availability flag in field 19 may be
0.
Consequently, field 26 is provided. This field contains a 10-bit number
which represents the block time factor, i.e., the average time duration repre-
sented by each block. Multiplication of the block time factor by the total
number of blocks (or the total number in a particular version) yields the
running time. (In practice, the block time factor is about the same for both
versions on a disk. If desired, individual block time factors can be provid-
ed.)
As is common practice with optical disks in general, the disk of the
invention may be provided with a table of contents for allowing the user to
select a particular part to play, or simply to inform the user of precisely
what is on the disk and how long each part takes to play. Field 27, if
included, is a table of contents. If only one version of the source material
is
on the disk, then there is only one table of contents. Otherwise, there is an
additional field 28 which consists of the table of contents for the second
version. FIG. 3 sets forth the sub-fields in field 27.
For lack of a better term, the video presentation is divided up into
what are called "chapters." For each chapter the table of contents includes
an 8-bit chapter number, thus allowing a maximum of 255 individual
chapters. Following each chapter number there is a 20-bit starting block
serial block number. It will be recalled that all of the data blocks on the
disk are numbered serially. In other words, while data blocks may be
common to both versions A and B, or unique to only one of them, the
numbers of the data blocks are in serial order along the disk track. The
CA 02237075 1998-07-06
table of contents includes the serial block number of the data block which is
the starting block for each chapter.
Similarly, in order to determine the play time for each chapter, the
system must know how many blocks are included in each chapter. For this
reason, the next piece of information is a 20-bit block duration. Multiplying
this number by the block time factor allows the play time of each chapter to
be determined. Alternatively, the actual running time for each chapter
could be provided instead of the block duration. (Such information could
be provided for different versions and standards.)
In order to display the title of each chapter, language strings must be
provided. Once again, the system must be advised of the languages which
are available for displaying chapter titles so that the user might select one
of them. The usual technique of providing a 100-bit block for identifying
available languages is employed.
Finally, the actual language strings for identifying individual chapters
are provided. Each string ends with an escape character to separate it from
the next string. This is the same technique used in connection with the
"other" audio track definitions discussed above in connection with field 14.
Field 29 has a minimum of 100 bits and a maximum of 1200 bits. It
will be recalled that there can be up to 12 authorized standards, i.e., the
final video output can be in up to 12 different formats. In order to insure
conformance with quality standards agreed upon by all manufacturers of
players and all software publishers who have agreed to support a common
set of specifications, it is possible to prevent unauthorized software publish-
ers from publishing disks which will play on players of the invention.
Moreover, it is possible to limit particular publishers to the manufacture of
disks which will play according to only a sub-set of the 12 standards. For
example, if royalties are to be paid on each disk which is manufactured
according to the agreed-upon specifications, and the royalties vary in
accordance with the number of standards according to which a disk can be
played. it is possible to limit certain software manufacturers to only the sub-
CA 02237075 1998-07-06
-35-
set of standards for which they have agreed to pay. For this reason. there is
an encrypted authorization code for each standard: the codes are alI stored
in field 29. The disk will play according to a particular standard only if the
proper encrypted authorization code is contained on the disk. Field 29
S includes 100 bits for each of the standards authorized in field 5. Since at
least one standard must be authorized there are at least 100 bits. The
maximum number of bits is 1200 if all 12 standards are authorized.
The encryption scheme is based upon the principles of public-key
cryptography. Public-key cryptography is by now well known, and a particu-
larly clear exposition of the subject is to be found in the August 1979 issue
of Scientific American, in an article by Hellman entitled "The lfathematics
of Public-Key Cryptography." The use of a public-key cryptosystem allows a
message to be encrypted at site A in accordance with a secret key, transmit-
ted to site B, and decrypted at site B in accordance with a public key. The
secret key for encrypting the message is known only to the transmitter.
Such a scheme is typically used to authenticate a message. Upon decryp-
tion of the transmitted encrypted message at the receiving site, the message
will be intelligible only if it was encrypted with the paired private key. And
since the private key is private, if the decrypted message is intelligible, it
must have originated with the owner of the private key.
Public-key cryptography is used in the invention in the following way.
The actual data on the track is processed by the software publisher in accor-
dance with a predetermined algorithm. The details of the processing are
not important. Any non-trivial processing that provides, for example, a 100-
bit result based on the disk data will suffice. The 100-bit result is a "mes-
sage" to be transmitted via the disk in anywhere from one to twelve encrypt-
ed forms. There are 12 cryptosystem key pairs, each associated with a
different one of the standards. The private key for the first standard autho-
rized on the disk is used to encrypt the 100-bit message and the 100-bit
encryption is stored in field 29. This encryption is the authorization code
for the particular standard. The same thing is done for all of the other
CA 02237075 1998-07-06
-36-
standards authorized for the particular disk. with the private key associated
with each of these standards being used in each case.
The player operating system computes the same 100-bit result or
message that was originally computed by the soft«~are publisher. The player
software then uses the public key associated with each of the standards
authorized on the disk to decrypt the respective encrypted authorization
code for that standard. The decrypted message should match the message
computed by the operating system after processing the disk data. If they do
not match, it is an indication that the software publisher did not have the
private key for encrypting the authorization code for the particular stan-
dard, and the player will not produce a video signal according to that
standard.
To explain this in another way, let it be assumed that the private key -
for authorized standard N on the disk gives rise to an encrypted message
PriN(X), where X is a message to be encrypted. Similarly, the function
PubN(X) represents the decryption of a function X using a paired public
key. Let it further be assumed that the predetermined algorithm for
processing the data on the disk is known by all player manufacturers and
software publishers, and gives rise to a 100-bit result which is treated as a
"message" M whose content (value) depends on the disk data. For standard
N, the software publisher, after first deriving M, stores on the disk the 100-
bit encrypted authorization code PriN(M). The player first derives the value
M in the same way that the software publisher did. The player software
then uses the public key associated with standard N for decrypting the
encrypted authorization code. The operating system thus derives PubN
(PriN(M)). Since decryption of an encrypted message should result in the
original message, the result of this decryption should be the same value M
which the operating system derives by processing the disk data. If it is, then
the particular standard is not only authorized, but the publisher has the
right to authorize it. On the other hand, if the decryption of the encrypted
authorization code M does not match the algorithmic result M derived by
CA 02237075 1998-07-06
-37-
the player (because the software publisher did not have the private key with
which to derive Pri;,(M)), then that particular standard is locked out.
While such a scheme works in the abstract, there is one practical
problem which must be overcome. Suppose, for example, that the algo-
rithm used to derive the original "message" M involves processing 20 data
blocks on the disk with predetermined serial block numbers. (The process-
ing might be something as simple as multiplying by each other successive
groups of 100 bits each, and using as the result of each multiplication -- for
the next multiplication -- only the 100 least significant bits.) A publisher
who is not empowered to authorize standard N on a disk may nevertheless
wish to do so. He does not know the private key with which to encrypt the
derived value M which is applicable to his software. Consequently, he does
not know what 100-bit encrypted code he should put on the disk which will
decrypt in a player to the value M. But what he can do is copy the 20
predetermined data blocks from some other legitimate disk and put them
on his own disk, and also copy the encrypted authorization code in field 29.
Those ZO data blocks, when processed in a player, will result in the value M,
and it will match the "stolen" encrypted authorization code after it is
decrypted in the player. Of course, the software publisher may have
committed copyright infringement, but that simply compounds the felony.
The practical problem which the software publisher faces is that he will
have data blocks which are "played" and which will be totally out of context
insofar as his motion picture is concerned. However, because the way that
multiple versions of a motion picture can be stored on the same disk in the
ZS first place is that the player can be controlled to skip over the play of
certain data blocks, as will be described below, the software publisher can
encode his other data blocks so that the copied data blocks are not played.
In this way, the encryption protection can be rendered ineffective.
The solution is that while the algorithm that derives the "message" M
in the first place may also operate on predetermined data blocks, it should
operate on at least the lead-in section of the track. There is no way that an
CA 02237075 1998-07-06
-3s-
unauthorized publisher can copy the lead-in track fields from another disk
because that would give a player incorrect information about the video and
audio contents on the unauthorized publisher's disk. The lead-in data is a
function of the particular subject matter of the disk, and it must appear in
the track in order for the disk to play properly. Thus the information
represented on FIG. 3 can be treated as the "message" M whose encryp-
tions, one for each authorized standard, are derived using respective private
keys and are stored in lead-in field 29. (Strictly speaking, the "message" M
is the result of processing all fields except field 29. Also, the longer
fields,
such as those containing software, can be omitted from the processing.)
The player derives the same "message", decrypts an encrypted authorization
code with the public key associated with the respective standard, and then
compares the two. If they don't match, the player determines that that
particular standard has not been authorized for the particular disk's publish-
er.
The encrypted authorization code field is shown toward the end of
FIG. 3 and thus the corresponding processing is depicted toward the end of
the flowchart of FIGS. SA-SC to be discussed below. The positioning of the
encrypted authorization code field as shown facilitates a description of its
processing, but in fact the field may advantageously be placed at the start of
the processing. It will be recalled that special software may be read from
the disk to modify the normal player sequencing. It is therefore conceivable
that a counterfeiter could write special software which causes the authoriza-
tion code processing to be bypassed. By doing the processing before any
special software is even read, the processing cannot be bypassed.
Returning to a description of the lead-in track fields, field 30 is a 1-bit
data block command/data flag. This bit informs the operating system
whether the data blocks include command information or data which is to
be read during play of the disk. How the system determines whether a
particular data block contains commands or data will be explained below.
Field 30 simply indicates whether there is anv such information at all.
' CA 02237075 1998-07-06
-39-
Finally, fields 31 and 32 are catch-all fields for allowing the disk to
control
unusual wavs in which the player processes the information on the disk. It
will be recalled that field 3 contains a flag which indicates whether field 4
contains special software which causes the player to operate in accordance
with a program that is totally different from that usually employed, field 12
indicates whether field 13 contains special mixing/deletion software for use
with the "other" audio tracks, and field 17 contains a flag which indicates
whether field 18 contains special version software for processing the 4-bit
multiple version code. Field 31 indicates whether there is "supplemental"
software in field 32. The supplemental software is different from the
special software of field 4 in that the software in field 4 is basically a
substitute for the processing which is normally used, while the supplemental
software generally works with that code, in conjunction with commands and
data which are to be found in the data blocks.
Typically, the supplemental software would allow play of a video
game, with related commands and data in the data blocks determining the
course of play. But there are other uses of this technique. As another
example of the way in which supplemental software, and commands and
data in the data blocks, can be used, consider a disk designed to play a
classic motion picture with subtitles, but which is also provided with a
critical commentary which is to be displayed periodically in lieu of
subtitles,
perhaps during moments when the screen is caused to go blank except for
the critical commentary. To show the flexibility which is possible, let us
even consider a case where the critical commentary is to be in a different
language. What is required in such a case is that the subtitle buffer 59 on
FIG. 2 be loaded during the play of some data blocks with subtitles in one
language and with subtitles in another language during play of other data
blocks (some data blocks thus containing subtitles corresponding to the
original motion picture, and others containing critical commentary in
another language). In such a case, the system must somehow be told to
switch back and forth between language subtitles, i.e.. different subtitle
CA 02237075 1998-07-06
tracks have to be processed in different data blocks. This can be con-
veniently controlled by issuing commands in the data blocks themselves.
Similarly, if it is desired to blank the screen and interrupt the picture
during
display of commentary, a data block might include a data value which
represents the duration of the blanking. Alternatively, if a commentary is to
be made in a different language, it could be a different audio track which is
selected for the purpose. In any case, the special software loaded from
field 32 would control the processing of the commands and data contained
in the data blocks, and would work in conjunction with the operating system
of the player.
Processing Of The Lead-In Track Fields
The flowchart of FIGS. SA-SE depicts the processing of the informa-
lion in the lead-in track fields. A description of this preliminary processing
is presented at this point, with the functions of the individual fields in
mind.
The fields in the data blocks, as well as processing of the data blocks, are
discussed below.
The system processing begins, as shown at the top of FIG. SA, with
the reading of default settings. These are settings established by DIP
switches, ROM codes, or the use of any other device or technique which
configures the system on power-up. It is typical in microprocessor-based
systems to reset all flags and to read default settings when power is first
turned on.
There are four default settings which are thus determined in order to
configure the system. The first is the standard -- players sold in the United
States, for example, will typically be configured, in the default state, to
produce an NTSC video signal.
The next default setting is language -- the sound track dialog language,
the subtitle language (if any), and the language in which menus are to be
presented on the display. In the United States, for example, the default
language would be English. If the user does not inform the player that a
CA 02237075 1998-07-06
--11-
language other than English is desired for one or more of these functions,
audio language track 10 will be used to generate the sound track, and
character strings in the English language will be used in setting up the
mixing/deletion menu for the "other" audio tracks and for the table of
contents. As for subtitles, the usual default is ''no language."
The third default is the aspect ratio, 4:3 in the United States. The
aspect ratio determines the relative dimensions of the display represented
by the final video output signal.
Finally, the parental lock status is determined. In the system of
FIG. 2, this simply entails a determination of the setting of lock 81. But it
is also possible to dispense with a physical lock and key, and to store the
parental lock status in non-volatile memory after first inputting on the
keyboard a password known only to the persons who exercise control over
the lock function.
IS As in many consumer electronic devices, the keyboard can be used by
the user at any time to interrogate or control the player. Routine control
sequences which are standard in the art are not shown in the flowcharts.
For example, the keyboard, or an associated remote control device, can be
used to control the volume, fast forward, a jump to a specified chapter, etc.
The normal processing can be interrupted to control a display by operating
a menu key, as is known in the art. At the start of the processing of
FIG. SA, there is shown a test for determining whether the menu key is
operated. The reason for showing an interrogation of whether the menu
key is operated at the start of the processing, as opposed to any other time
during play of the disk, is that this is the mechanism by which default
settings can be changed. If the menu key is operated when power is first
turned on, the system displays a menu. As indicated in the flowchart, the
user is given the choice of changing defaults, viewing the table of contents
for the disk, and/or (in case the menu key was operated accidentally) simply
returning to the processing without changing anything. As indicated,
depending on the menu selection, the defaults are changed, the entire menu
CA 02237075 1998-07-06
selection process is aborted, or a TOC (table of contents) flag is set to 1.
This flag will be examined later to determine whether the table of contents
should be displayed.
Thus far, no information from the disk has been processed. (In this
description, references are sometimes made to reading a field and some-
times made to processing a field. It is to be understood that even when it is
said that after a certain processing step a field is read, the field may
actually
have been read earlier but stored in a buffer for later use. Depending on
the context, reading a field means to actually read it so that the bits appear
on the DATA OUT conductor 25 in FIG. 2, or to do something with the
data if it has been read earlier and buffered.) Referring to FIG. 3, the first
information field which is read from the lead-in track section is a 40-bit
field representing authorized territories. Next, a check is made to see
whether the territory in which the player was intended for use is one of
those authorized on the disk. The player territory is also a kind of default
setting, but it is not grouped with the others because it cannot be changed
by the user. (To allow a purchaser who moves from one territory to
another to use his player, the player territory can be changed by an autho-
rized technician.) If the player has been designed for use in China, for
example, and China is not one of the territories authorized on the disk, play
of the disk is aborted.
On the other hand, if the disk has been authorized for play in the
player territory, field 3 is read. This single bit simply tells the system
whether special software is present. As shown in the flowchart, if it is
present then the special software is read from field 4 and executed. The
processing terminates with the "execute special software" step. This is
intended to show that the special software in field 4 basically replaces the
built-in operating system. Such software will be employed when a radical
change in the overall use of the player is involved. (As mentioned above,
this is not to say that the. special software may not call BIOS routines and
the like from the ROM chips containing the operating system.)
CA 02237075 1998-07-06
_~3_
If there is no special software present, the system reads the default
standard, e.g., it determines that an NTSC standard is to be employed. If
the user has changed the default standard through a menu selection, e.g., to
PAL, then PAL is the new default standard. The system then accesses
field 5 which authorizes up to 12 standards. The test which is performed is
to determine whether the default standard (the original, or as changed at
the start of the processing) is authorized. If it is not, a menu is displayed
which shows the user the authorized standards, and he then selects one.
After an appropriate selection is made, or if the default standard is autho-
rized, the system processes fields 6 and 7. The reading of field 6 informs
the player of the available audio languages (up to 16, including M&E and
languages).
Once again, a default value is tested against a set of allowed options.
Earlier, it was the default standard that was tested against the authorized
15 standards read from the disk. This time it is the default audio language
(either the default language on power-up or a different language selected by
the user if the menu key was operated) that is compared with all of those
available. As shown in the flowchart, if the default language is not avail-
able, a display is formed which lists the available audio languages, and the
user selects one of them. The system then reads the track types in field 7.
This is the field which informs the operating system whether there is an
M&E track, whether it is to be used as a mixing or a switching master, and
whether the selected language track is a complete audio track, is to be
mixed with the mixing master, or to be switched with the switching master.
Next, the track codings are read from field 8. Given the selected language,
and its track type and track coding, as well as information about M&E,
mixing and switching, the operating system has all of the information it
needs to generate a sound track for the accompanying motion picture which
meets the needs of the viewer.
The next thing that is done is to read field 9 to determine the number
of "other" audio tracks which are on the disk. anywhere from none up to 63.
CA 02237075 1998-07-06
If there are indeed no "other" audio tracks, all of the processing to deter-
mine what is to be done with them is bypassed. But if there are such
tracks, field 10 is first read to determine how they are coded. Since the
user has to be told what is in the tracks before he can determine what is to
be done with them, the system must next determine from reading field 11
the "other" track menu languages which are on the disk. The usual type of
check is then made to see whether the menu is available in the default
language. If it is not, the available languages are displayed and the user
selects one of them.
As described above, the operating system may execute a standard
routine for reading the menu, displaying it, and interacting with the user as
the user determines what should be done with the "other" audio tracks. But
in the event special mixing or deletion is to be accomplished, special
mixing/deletion software is required. Field 12 is read to see whether such
software is available and, as indicated in the flowchart, any special mix-
ing/deletion software which is on the disk is read from field 13. Only then
are the actual menu items (in the selected language) read from field 14 and
displayed for the user. Using the menus made available by the operating
system, the user selects the play mode for the "other" audio tracks. He can,
for example, mix them in any allowed way, use what is in a track for
deletion (by phase inversion) from another more inclusive track, adjust one
track for exclusive play, adjust relative audio levels, etc.. The special mix-
ing/deletion software, of course, can provide these options as well as others
not routinely offered.
As shown in FIG. SB, subtitle information is now processed according
to the established pattern. First, the system determines whether subtitles
are desired at all. At the very beginning of the processing in FIG. SA, it
will be recalled that one of the default settings is the subtitle language.
The
usual default setting will be that subtitles are not desired. If that is in
fact
the case, the subtitle processing is skipped entirely. But if subtitles are
desired, the available subtitle languages are read from field 15. A test is
CA 02237075 1998-07-06
-:15-
then made to see if the default subtitle language is available. If it is not,
the available subtitle languages are displayed and the user selects one of
them.
Next, the 4-bit multiple version code in field 16 is read. The first bit
indicates whether there are two versions available, or only one. A branch is
not made at this point because first the system must determine whether
special version software is available, and this is determined from field 17.
If
special version software is available, it is read from field 18 and executed.
To the extent that this software must know whether multiple versions are
available, and what the codes in the third and fourth bit positions represent,
that has already been determined. Although indicated in the flowchart that
the choices displayed for the user are to select among authorized versions,
or to exit, it is to be understood that the display choices will generally be
different if special version software is executed. Also, it should be under-
stood that there may be special version software even if there is only one
version that can be played. For example, it may be appropriate to warn a
viewer that a particular program may be extraordinarily unsettling, and to
ask for a "continue" response before play begins -- all of this being separate
and apart from an R-rating.
If special version software is not available, then bits 3 and 4 in the O-
bit multiple version code field are used for rating purposes. A test is per-
formed to see whether the parental lock is on. If it is not, then there are
no restrictions on the play of versions A and B, and both versions are
authorized. If it was previously determined that there is only one version,
then that version is considered to be version A and it is authorized.
On the other hand, if the parental lock is on, tests must be performed
to see whether the versions on the disk are R-rated. As shown in FIG. SC,
if version A is R-rated, and so is version B, then play of the system is
aborted; although not shown, an appropriate message may be displayed to
advise the user why plav has stopped. If version A is R-rated but version B
is not, then only version B is authorized. On the other hand, if version A is
CA 02237075 1998-07-06
-a6-
not R-rated but version B is, only version A is authorized. Finally, even if
the parental lock is on, if neither version is R-rated. then both versions are
authorized.
The system next displays the choices available to the user. He can
S choose from among the authorized versions, or he can exit and stop playing
the disk. (This latter case might arise, for example, if a child tries to
watch
an R-rated version, is told that it cannot be played, and a decision is made
to go on to something else more interesting.)
If there is only one version available, if it is not R-rated, and if there
is no special version software, then there may be no need far a display --
there is only one motion picture which can be played, and there are no
restrictions on who can watch it. Nevertheless, as shown in the flowchart,
the user is still given a choice between play of the disk and aborting play. .
The system could be designed to skip the display in such a case and simply
to assume that the user wants to watch the only motion picture version
which is on the disk. On the other hand, generating the display allows the
user to verify that the disk he put in the player is indeed the disk he wants.
Although the invention has been described thus far in terms of one
or two versions of a motion picture on a disk, it is to be understood that
there can be three or more versions. This is one of the main reasons for
providing the capability of reading special version software in the first
place.
This software can include all of the information required about the several
versions from which menu displays are formed so that the user can select
what is to be played. As mentioned above, the special version software can
allow choices between teaching and test modes, and other options having
nothing to do with whether particular motion pictures are adult-rated.
The system next reads the video availability bit in field 11, and thus
determines whether the data blocks which will be processed subsequently
contain video data. If video data is present, then the base or master aspect
ratio in which it has been stored on the disk must be determined. The next
step thus involves reading field 20 to ascertain whether the base or master
CA 02237075 1998-07-06
aspect ratio is 16:9 or 4:3. If the master aspect ratio is ~:3, the next five
steps are skipped because pan scan availability is irrelevant. If the default
aspect ratio is 4:3, then there is a one-to-one correspondence between
stored and displayed frames; if the default aspect ratio is 16:9, then a 4:3
frame is displayed on a wide screen with a dark band at either side.
(Alternatively, the 4:3 image could be expanded to fill the 16:9 screen, with
resulting loss of top and/or bottom information.) But if the base aspect
ratio is 16:9, as shown on FIG. 9, there are several possibilities which must
be explored.
One of the default values which is determined at the very start of the
processing is the aspect ratio. The operating system checks whether the
default aspect ratio is pan scan 4:3. Referring to FIG. 9, if the master
aspect ratio is "wide screen" (the flowchart branch being processed), then
the possibilities are letter box, pan scan centered on the wide screen image
(not shown in FIG. 9), or pan scan variable (i.e., with a variable starting
column number). If the default is not pan scan 4:3, then there are no
choices to be made by the user now. The default is either wide screen or
letter box, and subsequent processing is in accordance with the default
which has already been determined.
On the other hand, if the default is pan scan 4:3, the issue is whether
variable pan scan information is on the disk. The pan scan availability bit
in field 21 is read. If pan scan is available, it means that the data blocks
will specify to the operating system the starting column numbers for the pan
scan -- the user need select nothing at this point. On the other hand, if pan
scan is not available, and this was the user's default, he must decide from
among two possibilities -- a center cut, in which the middle part of every
wide screen frame is displayed, or a letter box form in which the entirety of
every frame can be seen, but the display has dark bands at the top and
bottom. A menu display is formed, and the user selects one of the two
modes.
CA 02237075 1998-07-06
-~ s-
This use of a common aspect ratio on the disk which nevertheless
allows the user to select from many different kinds of display exemplifies
the design approach of the invention. The basic idea is to provide maxi-
mum flexibility while nevertheless storing all of the required data on an
optical disk roughly the size of a conventional CD. Once a wide screen
motion picture is stored on the disk, almost no additional real estate is
required to allow the user to generate a video output having some other
aspect ratio. Although there may be up to 15 languages in which dialog can
be heard, there are nowhere near 15 full sound tracks because of the mixing
and switching capabilities built into the player and the manner in which
redundant information is eliminated from the audio language tracks. The
same thing applies to video standards. While up to now high-quality video
has required a medium which can be played only in NTSC, or PAL, etc.,
the present invention allows the same disk to give rise to video signals in up
to 12 standards. One of the advantages of the invention is that it greatly
reduces the number of different disks that must be produced, for example,
by a motion picture company that distributes its movies throughout the
world. While it is true that some fields may have to be changed from time
to time, for example, different standards have to be authorized when videos
are released in NTSC and in PAL at different times, such changes are
relatively trivial and are easily made.
Once a decision on the display mode is made, field 22 is read to
determine the total number of data blocks on the disk. If there are multi-
ple versions, fields 23 and 24 are also read in order to determine the total
number of data blocks in each of the versions. Field 25 is then read to
determine the original frame rate, and field 26 is read to determine the
block time factor.
Field 27 is then processed. It will be recalled from FIG. 3 that this is
the field that contains all of the necessary information for display of the
table of contents. The table of contents for the selected version (field 27 if
there is only one version, or there are two and the first has been selected:
CA 02237075 1998-07-06
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or field 28 if there are two versions and the second has been selected)
includes a 100-bit representation of the available chapter display languages.
The default menu language is checked against those which are available. If
the default menu language is not available, the user is informed of those
languages in which chapter titles can be displayed, and he selects from
among them. Once it has been determined in which language to display
chapter information, the various table of contents time durations are
calculated. Since it is known how many blocks are in each chapter, the
duration of each chapter can be determined by multiplying the number of
blocks by the block time factor.
The table of contents is not necessarily displayed. It is displayed only
if the TOC flag was set at the start of the processing, the user having
indicated that the: table of contents should be displayed. If the TOC flag is
0, there is no need to display the table of contents. The system automati-
cally selects the first data block as the starting point, that is, play of the
disk
starts at the beginning. On the other hand, if the TOC flag is a l, the table
of contents is displayed and the user is given the option of selecting the
start point.
Following the table or tables of contents on the disk are the encrypted
authorization codes for the standards authorized in field ~. The operating
system reads the encrypted authorization code for the standard which has
been selected. It then reads the predetermined data for the selected
standard. It will be recalled that for each of the 12 possible standards,
predetermined data on the disk is processed to derive a "message" M which
serves as an authorization code. It is this authorization code that is stored
in encrypted form on the disk using the private key associated with each
standard. The data which is read from the disk may be different for each
standard, as long as the same data is read and processed both during the
encryption process and when the player derives the "message" M on its own.
As discussed above, it is preferred that the data include at least part of the
CA 02237075 1998-07-06
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lead-in fields because it would be self-defeating for an authorized publisher
to copy this data.
After the predetermined data for the selected standard is read, the
authorization code ("message" M) is computed from the data. Using the
public key associated with the selected standard, which key is built into the
operating system, the stored authorization code on the disk for the selected
standard is decrypted. The test for whether the software publisher has been
authorized to publish disks which will play as video signals in the selected
standard involves comparing the decrypted authorization code with the
computed authorization code. If they do not match, play is aborted.
If the two codes do match, field 30 is read. This single bit simply
informs the master processor whether there are any commands or data
stored in the data blocks other than the normal complement depicted in
FIG. 4 to be discussed below. If the flag is a 0, the operating system does
not even look for such additional commands or data in the data blocks. If
the flag is a 1, it means that commands or data may be present in a data
block, but not necessarily so.
Finally, field 31 is read in order to determine whether supplemental
software is available. If it is, it is read from field 32. The supplemental
software, as described above, is not to be used in lieu of the operating
system software, but rather as a supplement to it. This is the basic differ-
ence between the software in fields 4 and 32. Generally speaking, the
supplemental software operates on commands and data included in the data
blocks in a field whose presence is indicated (although not necessarily in
every data block. as will become apparent below) by the supplemental
software flag.
With the reading of field 32 and its integration with the operating
system, the read head in the disk drive is caused to move to the start point.
As described above, the start point is either the first data block or a data
block determined by the user if a chapter other than the first has been
selected. Data blocks are read in sequence and demultiplexer 63 on FIG. 2
CA 02237075 1998-07-06
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distributes the data fields to various buffers. As indicated in the flowchart,
the reading of a data block takes place only if no buffer is full. Further-
more, before a new data block is read, the system checks whether there are
any interrupts which must be serviced. Controller 41 is the source of all
interrupts. For example, if the user has operated the keyboard, the control-
ler generates an interrupt on line 43 of FIG. 2 which temporarily halts the
reading of data blocks. After the interrupt has been processed, or if there
is no interrupt which must be serviced, the next data block is read. As will
be described, the serial block number is one of the first things that is read.
The block number/pointer analyzer 47 knows the number of the next block
which is required. Very often, this will simply be the next block in the
serial sequence. However, the block number may be out of sequence, for
example, if a jump is to be made to a new chapter, or, as will become -
apparent below, certain blocks have to be skipped on a disk when playing
one of multiple versions of a motion picture. In any event, the systems
checks whether the block being read is the correct one. If it is not, a
branch is made back to the start of the block reading process so that a
different block can be read. Also, gate 61 on FIG. 2 is closed so that the
"wrong" data on conductor 25 is not extended to demultiplexer 63.
If the block read is the required block, one of the first things read
immediately after the block number is pointer data. The pointer data is
used by block number/pointer analyzer 47 to determine the block number of
the next data block that is required, as indicated toward the end of the
flowchart. This block number is transmitted over cable 49 to microproces-
sor disk drive controller 27 in order that it access this data block at the
completion of the reading of the current data block. As indicated at the
end of the flowchart, the remainder of the data block which is being pro-
cessed at the moment is read and loaded into the several buffers, following
which another data block may be read.
The flowchart just reviewed controls the processing of the player.
What is actually done with the data read from the data blocks is shown in
CA 02237075 1998-07-06
the flowchart of FIG. 6, and this flowchart will be described after the fields
in a data block, as listed in FIG. 4, are understood. But in order to appre-
ciate the function of the pointer data which is included in a data block,
FIGS. 7A and 7B will be described first. These figures depict how data
blocks associated with individual or both versions of a motion picture
interrelate with each other, and how the system is controlled to skip over
certain data blocks in order to play a selected version.
FIGS. 7A And 7B -- The Function Of The Pointer Data
In the illustrative embodiment of the invention, there can be two
versions of the same motion picture on a disk. Most of the data blocks will
represent video and audio which are common to the two versions. How-
ever, there will be other blocks that are unique to one version or the other.
The question is how to control the reading in succession of the data blocks
that are required for a selected one of the two versions.
For purposes of description, the letters A, B and C will be used to
identify respectively data blocks that are unique to version A of the motion
picture, data blocks that are unique to version B, and data blocks that are
common to both. FIG. 7B illustrates a portion of the track with successive
data blocks being labelled A, B or C. It will be understood that in practice
there may be thousands of data blocks in succession of the same type, with
most of the data blocks on the disk being of type C. However, to illustrate
the way in which the system jumps over data blocks that are not required,
FIG. 7B shows at most two blocks of the same type in succession.
There are two sequences shown in FIG. 7B, one at the top for playing
version B, and the other at the bottom for playing version A. If it is ver-
sion B that is selected, and it is assumed that somehow the B block on the
left is being played, it is apparent that the next two A blocks must be
jumped over in order to go to the fourth block, a B block. After this block
is played, the next A block must be jumped over. Two common C blocks
are then played, after which a jump must be made over an A block to
CA 02237075 1998-07-06
_> j_
another C. The next block, a B, is then played, followed by B. C and B
blocks. Finally, a jump is made over an A block to the last block shown in
FIG. 7B, a C block.
If version A is being played, on the other hand, two successive A
blocks are played, there is then a jump over a B block, the next five blocks
-- A, C, C, A, C -- are played, there is next a jump over two B blocks to a
C block, and finally there is a jump over another B block to an A and a
following C.
The pattern which emerges is that there are three kinds of transitions
from one block to another. First, there is the play of a block immediately
following play of the preceding block. There are seven examples of this
shown in FIG. 7B -- AA, BB, CC, CA, CB, AC and BC. The two possibili-
ties which are excluded are AB and BA, since blocks unique to the two
versions will never be played during the same disk playing, much less one
after the other. While there are seven kinds of transitions from block type
to block type, there are really just three basic operations -- going from one
block of any type to the next block of any type; a jump from either an A to
an A or C, or from a B to a B or C; or a branch from a C block either to
an adjacent A or B, or to a B or A somewhere down the line. Most
transitions are of the first type. The second type occurs when an A is
followed by a B (which two blocks can never be played in succession); a
jump must be made from the A to either another A or to a C. Similar
remarks apply to a B followed by an A. The third type occurs at the end of
the play of a C block, when there is no longer any common material to be
played and a switch must be made to one version or the other: the next
block is played if it is part of the version selected, or some blocks will
have
to be jumped over if the branch is to a block in the other version.
FIG. 7A shows the state diagram which defines how and when transi-
tions are made from one block to another. As will be described below,
every data block includes a two-bit pointer flag, possibly followed by a field
which contains a 20-bit pointer. (When a pointer is present, it always points
CA 02237075 1998-07-06
_ Sc~_
to the serial block number of another data block.) Referring to the code
given in FIG. 7A, if the two-bit pointer flag is 00, it is an indication that
the
processing should continue with the next block: in this case, there is no
need for a pointer. If the two-bit pointer flab is a O1 code. it is an indica-
tion that a jump should be made to a block in the same version some
distance away, or to a C block some distance away. In either case, a
pointer is necessary.
The codes 10 and 11 are used when a branch is to be taken from a
common C block. Which code is used depends on whether the next block is
an A or B. If the block after the C is an A, code 10 is used and the pointer
is to a B or a C further down the line. If the code is 11, it means that the
next block is a B, and the pointer is to an A or a C further along the track.
The operating system knows which version is being played. If version A is
being played and the current block has a 10 pointer flag, it means that the
next block, an A, should be played after the present one. There is no need
for the pointer. The pointer is necessary in case version B is being played.
In this case, since the next block is an A, it should not be played. The
player should jump to the block identified by the pointer -- either another
C, or a B unique to version B being played.
Similarly, if version A is being played and the current block is a C
with code 11 for its pointer flag, it means that the next block is a B. Since
version A is being played, the next block should not be played after the
current one. Instead, a jump is made to the A or C block identified by the
pointer. On the other hand, if version B is being played, the system simply
continues to the next block.
The legend on FIG. 7A shows whether or not the pointer is used
when 10 and 11 pointer flags are found in a C block. The representation
10(P) is an indication that the pointer should be used, and a representation
10(P~ is an indication that the pointer should be ignored. It will be recalled
that the 10 code is used for a C block when the next block is an A. If
version A is being played, the pointer is not needed. That is why a transi-
CA 02237075 1998-07-06
tion from the C block to the succeeding block. an A. is shown by the
symbol 10[P]. On the other hand, if version B is being played. since the
next block is an A it cannot be played after the current C. Instead, there
must be a jump to the block identified by the pointer and thus use of the
S representation 10(P) -- the pointer points to either a B block or another C.
Similar remarks apply to the representations 11(P) and 11(P]. In both
cases, it is a C block which is being played and the next block is a B. If
version A is being played, the next block should not be played and thus the
symbol 11(P) is required to show a state transition. On the other hand, if
version B is being played, it is the succeeding B block which should be
played, and thus the symbol 11(P] is appropriate.
The four codes, as well as the usages (P) and (P], are depicted in
FIG. 7B. Referring to the PLAY B transition sequence, the first transition
shown is O1(P). It will be recalled that the O1 code represents a jump from
one version to a block of the same version or to a common block, and a
pointer is required. The first transition shown is O1(P), a jump from a
B block to another B block. The next transition on the PLAY B line is
O1(P), a jump from a B to a C. Next is an example of the most common
transition of all, 00, the orderly play of the next block after the current
block.
The fourth transition in the PLAY B line is represented by a 10(P)
symbol. The 10 code represents a branch from a C block when the next
block is an A, the example illustrated in FIG. 7B. In such a case, as
indicated in FIG. 7A, if it is version B which is being played a jump is made
to the block identified by the pointer -- in this case, the next C.
The 11 code is used to identify a branch from a C block when the next
block is a B. If version B is being played, the case under consideration, the
pointer is not necessary because the next block is to be played. That is why
the next code shown is 11(P]. There follow two 00 codes that represent
obvious transitions to adjacent blocks, followed by a 11[P] code, a branch
from a C block to the succeeding block which is a B. Finally, a jump is
CA 02237075 1998-07-06
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made from this B block over the next A block to a C block. This requires a
O1(P) code -- the code used to jump from a block of either version to a
block of the same version or a common block.
The PLAY A sequence in FIG. 7B assumes that it is version A that is
being played. The first four codes represent transitions to adjacent blocks,
or a jump from a block of one version to a block in the same version. The
next code, 10(PJ, is used to show a branch from a C block to an adjacent
A block. The pointer is not used since version A is being played, and
code 10 is employed because the next block is an A block. The next
00 code symbolizes the transition from the A block to a succeeding C block.
Next is a jump from a C block to another C block, skipping over two
B blocks. The 11 code is used because this is the code employed when a
B block follows a C block. The symbol used is 11(P), not 11(P), because
the pointer is required in going from one C block to a C block further down
the line. Similarly, the next code is again a 11(P) code to symbolize a
branch from a C block to an A block further down the line. The sequence
in FIG. 7B ends with a transition from an A block to the next block which
is a C, for which .the code 00 is used.
The state diagram of FIG. 7A summarizes all possibilities. Consider
first the state in which an A block is being processed, represented by the
circle with an A in it at the upper left. The two-bit pointer flag in an
A block is 00 if the next block is also an A (shown by the transition from A
back to A). If the next block is a B, on the other hand, then it clearly
should not be played. There must be a jump from the A block over the B,
either to another A or to a C. In either case, the code is O1(P). The
drawing shows both a jump over B (to another A), and a jump over B to a
C. The only other transition from an A block is to the next block if it is a
C. This is shown by the code 00.
There are four similar transitions shown for state B, i.e., when a data
block in version B is being read. The 00 code is used if the next block is a
CA 02237075 1998-07-06
_i~_
B or a C. The O1(P) code is used when the next block is an A, and it is
jumped over so that the system can next read another B or a C.
Transitions from a C block are more complicated because there are
seven of them, rather than only four as for each of the A and B blocks. If
the next block is also a C, the code is a simple 00 -- read the next block. If
the next block is a B and a jump must be made to another C, the
code 10(P) controls the jump over the A. Similarly, the code 11(P) controls
a jump over a B to another C. It will be recalled that these two codes are
used to control branches from a C block. depending on whether the next
block is an A or B. In either case, if the next block is not to be read, it
(and blocks like it) must be jumped over to the next C.
However, after reading a C block, it is also possible to read an A or a
B. To read an A, one of the codes 11(P) or 10[PJ is used. The 11 code is
employed when the next block is a B, in which case the pointer is required.
The 10 code is used when the next block is an A, in which case the pointer
is not used. Similarly, to read a B block next, either the code 10(P) or
11[PJ is used. The former is employed when the next block on the disk is
an A, and the pointer is required because this block must be jumped over.
On the other hand, if the next block is a B, the code 11 tells the system to
go on to this next block, and in the process to ignore the pointer because it
is not needed.
Perhaps the most important point to recognize is one which is not
apparent from the drawings, and that is that most blocks will contain
00 pointer flags and no pointers. (The 00 code is the only one without a
following pointer field.) That is because once a frame of either version is
being played, or once a frame of the common material is being played, it is
most likely that the next frame will be of the same type. Consequently, a
00 code alone does the job. The net result is that two versions of the same
motion picture can be stored on the disk, with the user having the option of
playing either (provided that it is allowed by the parental lock), and only a
tiny fraction of the total disk real estate is "wasted" by housekeeping bits
CA 02237075 1998-07-06
-s s-
that control transitions from one block to the next block which is to be read
after it. Again, this is in line with the underlying design philosophy of
providing maximum flexibility and as many options as possible, without
unduly wasting bits in the process.
s It should also be noted that the invention is not limited to placing just
two versions of a motion picture on a disk. It is possible to use the same
technique with three or more versions (although the need for so many
versions is less likely). In such a case, common blocks would require two
pointers, not just one. If there are three versions on the disk, following a
C block, the~next block might be an A, B or D. Two pointers would be
required to point to the two blocks which are to be found further down the
line. Obviously, this is just one of the changes which would have to be
made. The point is that multiple versions can be accommodated, albeit
with an expenditure of more housekeeping bits. Nevertheless, the total
number of pointer bits of this type is still inconsequential compared with
the total number of audio/video bits.
Data Block Fields
FIG. 4 depicts the fields of a data block, and the format is similar to
that shown for the fields of the lead-in track in FIG. 3. Every data block
begins with a sync word. As discussed above, the sync word pattern cannot
appear in the data, and thus when it is detected the operating system knows
that a new data block is about to begin.
The second field is a 20-bit serial block number. All of the blocks on
the disk are numbered in serial order. The block number is the first thing
2s read because it is used by block number/pointer analyzer 47 in FIG. 2. The
block number is essential, for example, when jumping from one block to
another. The read head will usually be positioned at a point near the
desired block, but it is highly unlikely that the correct block will be
selected
on the first try. This is especially true since the number of bits in the data
blocks is variable, and the system has no way of knowing how many bits
CA 02237075 1998-07-06
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there are in the blocks being skipped. By reading the block number at the
start of the data block, the system can quickly determine whether the head
must be repositioned.
The third field is a two-bit code which represents whether the block is
part of the A version, the B version, or common to both. (Only three of
the four possible codes are used.) It might be wondered why the system
would ever have to check on the version of a particular block, since once
play of version A or version B begins, the pointers discussed in connection
with FIGS. 7A and 7B will always identify a block which is either common
or part of the version being played. The answer has to do with fast forward
and fast reverse operations. Although these have not been discussed at
length because they are entirely conventional techniques, when fast forward-
ing, for example, the read head may be positioned more or less arbitrarily.
The video should not be shown if it is of the wrong version. It is not
possible to determine the version of a block simply by looking at the block
number or the pointer. Neither identify the version. It is for this reason
that the system must be able to determine the version of the block when it
is first read.
Fields 4 and 5 contain the two-bit pointer flag and 20-bit pointer
which have been explained at length in connection with FIGS. 7A and 7B.
Field 6 is a one-bit flag which may or may not be present. Referring
to FIG. 3, the video availability flag in field 19 tells the operating system
whether there is any video in the data blocks. Even if there is, however, it
does not mean that every data block contains video. For a system in which
there is a single frame represented in every data block, and data blocks are
processed at a fixed rate, there would be video in every data block, even if
it is "minimal" video which consists of a code representing a "no change."
But there may be systems in which a data block may represent more or less
than a single frame. For example, it may be that the video information in a
data block, if present at all, is always of the same number of bits. Depend-
ing upon the compression, it may be that many frames are represented in a
CA 02237075 1998-07-06
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single data block. In such a case, some of the blocks would be devoid of
video bits. Depending upon the coding scheme employed, the bit in field 6
informs the operating system whether there is a field 7 at all. If there is
video, field 7 contains the video information, terminating with a sync word.
As mentioned above, the actual coding of the video and audio blocks does
not comprise part of the subject invention. Although MPEG schemes are
preferred, others can be used.
Field 8 contains anywhere from no bits up to 16. It will be recalled
that field 6 of the lead-in track contains 100 bit positions, but only N of
these (where the maximum N is 16) can represent bits of value 1 because
there can be at most 16 audio tracks on the disk (of which M&E is con-
sidered to be one of them). For each of these N tracks, field 8 informs the
operating system whether there is any audio in the present data block.
There are thus X "1"s, up to a maximum of N. The first bit position of N-
bit field 8 corresponds with the first audio language track identified in
field 6 of the lead-in track. The second bit in field 8 of a data block is
associated with the second audio language represented in field 6 of the
lead-in track, etc. The reason that there are only N (maximum = 16) bits
in field 8 of FIG. 4, rather than 100, is that it is known from the lead-in
track which are the languages that may be present in a data block. There is
no reason to provide 84 or more bit positions in each data block to indicate
that the corresponding languages are not present when it is known from the
lead-in track that they are nowhere to be found on the disk. It must be
borne in mind that the value X in FIG. 4 does not equal the value N in
FIG. 3. The latter represents the total number of audio languages any-
where on the disk, and its maximum value is 16. The symbol X represents
how many of those N are actually represented in the current data block.
Field 9 contains the X audio language blocks. Suppose that there are
10 audio languages represented on the disk, but only six of them are
represented in the current data block. In this case, there would be X bit
sequences corresponding to the audio languages, each ending with an
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escape character. The escape character is used to separate audio blocks
from each other. If whenever an audio block is present it has a fixed
duration, then, since it is known how many audio blocks are present in a
data block from the information in field 8, it is not necessary to provide a
sync word at the end of the field. Variable length audio blocks would
require a sync word at the end of the field.
Field 9 in the lead-in track contains a value from 0 to 63 which
represents the number of "other" audio tracks. While there may be M such
"other" audio tracks, as shown in FIG. 3, it does not mean that each of
them is represented in the current data block. Field 10 in each data block
contains M bits, one for each of the "other" audio tracks on the disk.
Whether the current data block actually contains bit information for any of
these M tracks depends on whether the corresponding bit position in -
field 10 contains a 1. If there are Y "1"s and Y is less than M, it means that
not all of the "other" audio tracks are represented in the current data block.
Field 11 contains Y "other" audio track blocks, each ending with an escape
character. It will be appreciated that the way the audio tracks and the
"other" audio tracks are represented in the data block are comparable.
Referring back to FIG. 2, it will be recalled that data bits in a data
block are distributed to audio buffers, a video buffer, a pan scan buffer and
a subtitle buffer, as well as to master controller 41 over the COM-
MAND/DATA line 65. Thus far, the representation of audio blocks,
"other" audio blocks and a video block have been considered in the analysis
of the fields of FIG. 4. Before proceeding with the representation of the
subtitle data, however, it must be understood that there is a difference in
the wav that subtitle information is represented, as opposed to all audio and
video data. The latter is represented on a block-by-block basis, and the
buffers are continuously replenished with new audio and video data.
Subtitles, on the other hand, need not change from frame to frame. In fact,
a subtitle will not even be perceived if it does not remain on the screen for
more than one frame. Consequently, once subtitle data is represented in
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buffer 59 if FIG. 2, it causes a subtitle to be formed on the display and to
remain there until new subtitle information is loaded into the buffer. To
remove a subtitle without introducing a new one, a new subtitle consisting
of a blank field is loaded into the buffer.
Field 12 in the data block consists of P bits, each corresponding with a
different one of the P subtitle languages identified in field 1~ of the lead-
in
track. (It will be recalled that the first position in every 100-bit field
corresponding to languages does not really represent a language, but rather
M&E, so that there are a maximum of 99 subtitle languages.) Any subtitle
for which there is an update in the current data block has a I in its cor-
responding position in field 12. There can be up to Z "1"s, where the
maximum value of Z is P.
For each subtitle language for which there is an update in the current
data block, the update appears in field 13. There are Z update blocks, each
ending with an escape character. It is important to understand that an
update block can be a blank field. This is the way in which a subtitle is
removed when a new subtitle is not yet to take its place.
Field 14 consists of one bit which may or may not be present. The
field is present only if field 21 in the lead-in track is a 1. In such a case,
pan scan information is available in the data blocks. If pan scan informa-
tion is available, each data block must tell the operating system whether it
actually contains a new starting column for the pan scan. Field 14 is a
single bit, a flag, which indicates whether there is a pan scan update. If the
bit is a 1, field 15 is a 9-bit column number, i.e., a pan scan update.
Finally, field 16 is a single bit which may or may not be present,
depending on the value of field 30 in the lead-in track. This one-bit flag in
the lead-in track tells the operating system whether supplemental commands
and data may be present in field 17 of a data block. If the command/data
present flag is a 1, the command/data block is read from field 17. The field
ends with an escape character.
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A data block field thus contains up to six different types of data --
audio, "other" audio, video, pan scan information, subtitles and a com-
mand/data block. These are the six types of information which were
discussed above in connection with FIG. 2, with demultiplexer 63 distribut-
ing the different blocks of information to the audio buffers, video buffer,
pan scan buffer, subtitle buffer and master controller.
Processin Of The Data Block Fields
The processing of the data in a data block is relatively straightforward.
The processing shown in the flowchart of FIG. 6 dovetails with the data
block fields themselves shown in FIG. 4.
It has already been described how block number/pointer analyzer 47
on FIG. 2 processes the serial block number, version, two-bit pointer flag
and pointer contained in fields 2-5 of a data block. The next field is the
video present flag. As shown on FIG. 6, if it is determined that video data
is present, video buffer 55 on FIG. 2 is loaded with the video in field 7. If
video data is not present, the buffer simply has a marker loaded into it.
It is important to understand the need for markers. In order for the
operating system always to be able to synchronize video, audio, subtitle, etc.
information, it must be able to tell where in the severaldifferent buffers is
the information from the same data block. In other words, the operating
system must know which part of the audio data in an audio buffer goes with
which part of video data in the video buffer. Otherwise the various infor-
oration items cannot be synchronized with each other. By providing mark-
ers in the buffers for data which is not present in the data blocks, the
operating system can keep the various items of information synchronized
with each other.
Next, the operating system looks at field 8 to determine how many of
the N audio tracks on the disk (see FIG. 3) actually are represented in the
current data block. The same is true of the M "other" audio tracks repre-
seated in field 10. All of the audio and "other" audio track data are loaded
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into their respective buffers. The flowchart shows the sequencing onlv for
the first and last of the audio tracks. In each case, a test is performed to
see whether the audio track or "other" audio track has data present in the
current data block. Each of the tracks results in something being loaded in
its respective buffer -- either actual data followed by a marker, or a marker
alone.
After the video and audio information, a data block contains subtitle
updates. If there is update information for the subtitles in the selected lan-
guage, it is loaded in the subtitle buffer; otherwise a marker alone is
stored.
The three blocks pertaining to subtitles pertain only to a single track, that
corresponding to the selected subtitle language.
Next, the pan scan update flag in field 14 is read. If pan scan update
information is present, it also gets loaded, this time in a pan scan buffer.
If
no new information is available, a marker is simply placed in the pan scan
buffer to indicate that another data block has gone by with no new pan scan
update information.
Finally, the system determines whether there are commands or data
available (if the lead-in track field 30 says that commands or data are to be
found at all in the data blocks). If command/data is present, i.e., field 16
in
the data block is a 1, it is loaded from field 17 into memory in the master
controller 41 of FIG. 2. If there are no commands or data available only a
marker is loaded in the microprocessor memory.
It should be noted that none of the processing sequences of FIG. 6
shows a check being made whether the respective type of information is
available on the disk in the first place. But it is to be understood that a
test
such as "is command/data present?" really consists of two parts. First, is the
data block command/data flag in field 30 of the lead-in track a 0 or 1? If it
is a 0, commands and data are not even looked for during the processing of
a data block. On the other hand, if command or data may be present in a
data block as a result of the data flag in field 30 of the lead-in track being
a
1, then each data block has its field 16 checked to see whether the com
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mand/data present flag is a 1. ~ It is the value of the flag in the data block
field which determines whether only a marker gets loaded, or a marker
following data bits. Similar remarks apply to the other sequences. For
example, there is no reason to check whether a pan scan update, is present
if from the lead-in track it is determined that pan scan information is
nowhere present on the disk.
Although the invention has been described with reference to a particu-
lar embodiment, it is to be understood that this embodiment is merely
illustrative of the application of the principles of the invention. Numerous
modifications may be made therein and other arrangements may be devised
without departing from the spirit and scope of the invention.
